Word: grunwald
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Dates: during 1960-1969
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From the correspondent's suggestion to the printed pages, the project came under the major care of two senior editors (Henry Grunwald and Cranston Jones), two associate editors (Peter Bird Martin and Charles P. Jackson), two contributing editors (Robert Jones and Arnold Drapkin), two editorial researchers (Deborah Hall and Rosemary Frank), one map maker (Robert Chapin) and one photographer-Laurence Lowry. While all those idea-and-word people had their moments, Photographer Lowry probably had the most excitement...
Along with Pace's "reportage" from the Pnompenh palace, Writer Bruce Henderson and Editor Henry Grunwald got wide and deep coverage of Southeast Asia from Hong Kong Bureau Chief Frank McCulloch and the rest of his staff; the thoughts and theories of the State Department were transmitted from the Washington Bureau, and a study of Sihanouk's writings in French came from Paris. Out of it all came a story new enough to reach into the future and old enough to recall the past. Artist Boris Chaliapin reached into the past for the background of his cover painting...
...required reading for every Ph.D. candidate, asks, "Who is the individual (singular or plural) directly responsible for writing the article on the individual in America?" Reader Jensen's question is happily phrased, for the responsibility as usual is both singular and plural. The story was written by Henry Grunwald, and edited by Champ Clark. They had the help of three researchers, Margaret Quimby, Martha McDowell and Mary Vanaman, and numberless correspondents in their forays into history and into contemporary attitudes toward the individual. As for the cover portrait, Artist Robert Vickrey looked at just about every available Lincoln photograph...
...Grunwald seems uncertain of the purpose of his anthology. His introduction-a synopsis of the book--suggests that there is somewhere a something to be What Salinger is Really About." It would follow that critics who say different things about him are either saying rather the same thing or else are fundamentally opposed, at least one being wrong...
While it ministers to the demands of a confused reading public, the variety of critical reaction also fills a real gap in Salinger's writing. But Grunwald's collection illustrates well that Salinger has become little more to his critics than a blackboard and a mirror...