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Henry Anatole Grunwald's anthology says on Salinger is therefore interesting not so much as a key to the Truth about J. D. S. but as a clue to how susceptible Salinger's work is to modern criticism. We may be tolerant of the editor's apparent commitment to the Hundred Monkeys school of anthologizing (if a hundred monkeys with a hundred typewriters typed for...), not because of the essays are by important people but because the diversity is the key to the Salinger industry...

Author: By S. F. J., | Title: J. D. Salinger: Mirror for Observers | 11/9/1962 | See Source »

...Grunwald seems uncertain of the purpose of his anthology. His introduction-a synopsis of the book--suggests that there is somewhere a something to be What Salinger is Really About." It would follow that critics who say different things about him are either saying rather the same thing or else are fundamentally opposed, at least one being wrong...

Author: By S. F. J., | Title: J. D. Salinger: Mirror for Observers | 11/9/1962 | See Source »

...gathering of information for this study began last October, with Senior Editor Henry Grunwald, Associate Editor Michael Demarest and Researcher Marion Pikul in charge of the project. They drew gratefully upon the existing scholarly literature on the subject, but found it often incomplete or out of date. Most of the latest information had to come from TIME correspondents, and in all, 35 reporters contributed to the work. This included not only correspondents in Africa, but also in London (for information on former British territories), Paris (for former French territories) and Washington, Boston, Chicago and Los Angeles supplied interviews with more...

Author: /time Magazine | Title: A Letter From The Publisher: Aug. 3, 1962 | 8/3/1962 | See Source »

...Like Money (Dimitri de Grunwald; 20th Century-Fox) is the fourth movie version of Marcel Pagnol's supremely cynical play Topaze. John Barrymore once did the leading role in a Hollywood version, and Fernandel has done it in French...

Author: /time Magazine | Title: Cinema: Life is an Auction | 5/25/1962 | See Source »

...interminable length, under separate bylines from different capitals. Instead, it became the late-night struggle of Writer Demarest to assemble, digest and organize all this material, to find a writer's way to tell the story, cutting from one character to another, and in collaboration with Editor Grunwald to decide on the story's pace, tone and attitude. This is by no means a full accounting of all who had a hand in this week's cover, but may help explain why bylines rarely appear in TIME...

Author: /time Magazine | Title: A Letter From The Publisher: Jan. 12, 1962 | 1/12/1962 | See Source »

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