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Word: guardi (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
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Most artists had been content to sketch typical New York scenes-Central Park, Times Square-in gay or dramatic lights. Others had hoped to do for Manhattan what Pissarro did for Paris, Guardi for Venice and Whistler for London. Among those who had made the difficult attempt to discover Manhattan's essential qualities and translate them into art, at least four had partially succeeded...

Author: /time Magazine | Title: Art: Manhattans, Sweet & Dry | 8/23/1948 | See Source »

...bling shell. Tumbling, ivied walls in scribed with ancient names and victories, pillars overlooking the wilderness or sprawled broken like dead giants in the grass, and marble steps descending into the sod inspired the "Views" for which Pannini became famous. Perhaps his the spaciousness and sparkle of Canaletto and Guardi, whose pictorial celebrations of declining Venice were equally in demand. But for nostalgic elegance Pannini's Roman Views rivaled anything Venice could produce. Without Pannini, wrote art critic Herman Voss, "a branch of art which is charming in itself would have been deprived of real perfection...

Author: /time Magazine | Title: Art: Inspiring Ruins | 8/25/1947 | See Source »

...Lucientes was born in the bedraggled, hard-bitten village of Fuendetodos, near Saragossa, in 1746. He grew into barrel-chested manhood, fighting ruffians and bulls with equal recklessness and gusto. Brawling and wenching his way to Rome, he studied there the shimmering rococo canvases of Tiepolo and Francesco de Guardi, returned to Madrid to work his way up as court painter to Spain's dissolute Charles...

Author: /time Magazine | Title: Art: Furious Spaniard | 2/10/1941 | See Source »

Genuine paintings from the thirteenth through the nineteenth centuries are shown side by side with their respective counterfeits. Examples include pieces by Bellini, Raphael, Constable, Corot, Guardi, Ingres, and Durer. Egyptian, Greek, and Italian Renaissance sculpture, together with Chinese and Aztec figures in stone, complete the main body of the exhibit. Forgetting the line of demarcation which can be drawn between the false art and the true, it can be said that many of the examples shown are products of great craftsmanship and skill. The counterfeit Raphael as well as the Constable indicates that the forger can often be placed...

Author: By John Wilner, | Title: Collections & Critiques | 5/15/1940 | See Source »

Among the great artists whose works are shown both in the original and in counterfeit are Albrecht Durer, Corot, Ingres, Guardi, Bellini, and Constable. Also exhibited are originals and forgeries of Chinese bronze vessels and various Chinese jade objects, Persian miniatures, Egyptian sculptured heads, and early Greek terracotta figuriries...

Author: NO WRITER ATTRIBUTED | Title: Forgeries and Original Art Master - works Shown at Fogg | 5/3/1940 | See Source »

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