Word: gudjonsson
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Watching this production of The Flies was, at times, like a return visit to Hugo's Ruy Blas with glorious howls and gloried-in blood. Especially unrestrained and awkward was the scene between Zeus and Aegisthus. Peter Gudjonsson's lumbering mannerisms didn't work well as he tried to express Aegisthus' despair. Similarly, the bodily confrontation between Aegisthus and his assassin Orestes had a uncomfortably melodramatic quality. I found myself among those laughing as Aegisthus' strangled body was dropped down a chute at midstage...
...Petur Gudjonsson's Father seems insufficient and perhaps even bland at the opening of the play. But this is a character unaware of himself: he is created as the play progresses, as his own position and that of his sex becomes clear to him, and as his anguish overwhelms him. Caught in this process of torturous revelation, Gudjonsson is convincing and arousingly pathetic. What is most intriguing is that the father is never moved on the basis of fact, but, much like his wife, decides on the basis of inclination and reasons and rages in fantastic uncertainty. He must fail...
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