Word: guerard
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Dates: during 1960-1969
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...Would it bother a boy to go out with a girl who participates in sports?" asks Collot Guerard '69. "Who wants to go out with a flabby girl or a China doll?" On the other hand, many of these female sports enthusiasts avoid wan, sallow-looking Harvard guys. "It's a disgrace," says one sophomore, "when people let themselves go to pot. They look so soggy and unhealthy...
...their books on France, Andre Malraux, Albert Guerard (pere), Genevieve Tabouis (of the leftist L'Oeuvre), and the Popular Front's Minister of Air Pierre Cot argued that the doctrinaire opposition of these men to the Third Republic--their verbal and physical violence against it--had demoralized the French: in incompetence of her generals in the brief military campaign only made more swift the country's by then inevitable collapse. Since many on the Right went on to become collaborators with the Germans--at least in associating themselves with the Vichy government--and since, after the Liberation, almost...
Miller is very fond of Guerard. "I never saw a man who could inspire a writer to write, and inspire a certain love, too. He is an extraordinary teacher." As an undergraduate at Harvard, Miller took writing courses from Guerard, Archibald MacLeish, and Monroe Engel. He was part of a group of active writers in Cambridge at that time, which included Dale Harris, Sally Bingham, Jonathan Kozol and Arthur Kopit. They were all in the same courses together, he recalls, and stimulated each other to do better and better work...
...them. "A course makes you aware of problems in the craft of writing, and it shortens the period of apprenticeship that all writers must go through. Also, because it is a graded course, it provides an incentive to write. And it gives you contacts. Certainly it was because of Guerard that my novel got published...
Even with Guerard behind him, Miller had trouble finding someone to publish This Passing Night. Several publishing houses read his manuscript and offered to print the gang line separately. Miller refused. A number of publishers failed to see the satire, as have the reviewers. Silverman of Dial concluded that the book was "not so much a satire on Hemingway and Fitzgerald as a joke on writing itself." Miller took the criticism calmly. "Well, he didn't see the satire. There's nothing I can do," he said. Eventually the manuscript received a favorable reception at Harpers', who published the book...