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...that he is 90, let's stop overrating Picasso. I have found most Picasso exhibitions dreary and uninteresting. I have stood for half an hour in front of Guernica and it was still only cheap bombast...

Author: /time Magazine | Title: Letters, Nov. 22, 1971 | 11/22/1971 | See Source »

Epic Gesture. What the paintings of Marie-Thérése are to pleasure, the portraits of Dora Maar that cluster round Guernica and continue through World War II are to pain. One cannot look at the terrifying, dislocated features of Weeping Woman, 1937 (42), or Picasso's cat tearing up a live bird (46), without recognizing them as indictments of war. The climax of Picasso's concern was of course Guernica, 1937. This enormous canvas was Picasso's counterpart to Goya's Third of May and Delacroix's Liberty Guiding the People...

Author: /time Magazine | Title: Art: Anatomy of a Minotaur | 11/1/1971 | See Source »

...likely verdict of history will be that Guernica was Picasso's last great painting. He was 56 when he produced it; since then he has made thousands of works of art. Yet, curiously enough, he is one of the few major artists who, living to a healthy old age, changed restlessly but did not develop at all. Michelangelo, for instance, was working on the sublime testament of the Rondanini Pietà when he died at 89. One of the key changes in Matisse's career, the découpages, took place in his last years...

Author: /time Magazine | Title: Art: Anatomy of a Minotaur | 11/1/1971 | See Source »

...last week, the green, red and gold flags of Bangla Desh fluttered from rooftops, trucks and even rickshas in Kushtia. Bengali administrators were running the region under the local party leader, Dr. Ashabul Haq, 50, a forceful physician who packs a Welby & Scott revolver and a Spanish Guernica automatic. At week's end, two army battalions established an outpost a few miles from Kushtia. They were reported, however, to be making little headway against furious resistance. Even if the soldiers managed to reach Kushtia, the townspeople were more than ready to fight again...

Author: /time Magazine | Title: PAKISTAN: The Battle of Kushtia | 4/19/1971 | See Source »

...searching deliberateness across the rear-stage curtain. We see the bomber's victims-to-be, other grey-lady puppets. They sway and huddle together in mute terror. We feel their pain all the more acutely because, like wounded animals, they cannot articulate it. Think of Picasso's Guernica unfolding in slow motion and you have the image of these women dying. The evening ends with a jolly blare of music. The Black Angel and the Grey Lady wheel to the music-a Totentanz, the dance of death...

Author: /time Magazine | Title: The Theater: Dance of Death | 3/8/1971 | See Source »

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