Word: gueroã
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Lest we find Beck’s frequent nods to past projects too self-indulgent, he occasionally winks at the very gimmicks that first brought him fame. The over-the-top Gringo Spanglish of “Qué Onda Guero?? (about as authentically Latino as Speedy Gonzalez or Taco Bell), hyperbolizes his perhaps most recognizable hit, 1993’s “Loser” with its relentless chorus of “soy un perdedor...
Lest we find Beck’s frequent nods to past projects too self-indulgent, he occasionally winks at the very gimmicks that first brought him fame. The over-the-top Gringo Spanglish of “Qué Onda Guero?? (about as authentically Latino as Speedy Gonzalez or Taco Bell), hyperbolizes his perhaps most recognizable hit, 1993’s “Loser” with its relentless chorus of “soy un perdedor...
True, little new ground is covered in Guero??but since when has “new” categorically meant “better”? As long as there exist listeners who prefer sea glass to plate glass, urban decay to suburban sprawl, and redux to deluxe, Beck will maintain a corps of loyal fans. “My shivering voice is singing through a crack in the window, I’d better go it alone,” Beck murmurs. No need, Beck. We’re still here...
...Guero??s influences stretch beyond old Beck material, embracing the inglorious lower tiers of pop culture and throwing them into the mix. Some of the electronic ditties, such as that of “Earthquake Weather,” recall the early 1990s childhood aesthetic of Super Mario Brothers or Sonic the Hedgehog. At other times Guero moves away from the standard beats and chord progressions of pop music to dabble in non-Western modes and rhythms; “Missing” is to Beck what “Within You, Without You?...