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Word: guerra (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

Bakalar's defeat didn't affect the play of number three man Fraser Black, who set the pace for the remainder of the match by blitzing Williams racquetman Al Guerra, 3-0. The Seattle native surrendered only five points en route to the win, leaving Panarese to exclaim "that's not a victory, it's cruel and unusual punishment...

Author: NO WRITER ATTRIBUTED | Title: Freshmen Racquetmen Prevail, 8-1 | 1/11/1979 | See Source »

...Tony Guerra...

Author: /time Magazine | Title: Letters, Feb. 27, 1978 | 2/27/1978 | See Source »

...women, however, the male legislators will probably do nothing about the motto. Which brings to mind a loose translation of an adage from Winston Churchill that Maryland's lawmakers might adopt as their own before things reach a showdown: Parlare, parlare, e sempre meglio che fare la guerra, fare la guerra. Or, in the original English, "To jaw-jaw is always better than...

Author: /time Magazine | Title: Americana: Parlare, Parlare in Maryland | 11/7/1977 | See Source »

...GOYA'S CAPRICHOS expressed the vacuity of life without reason, his Desastres de la Guerra brought out the impossibility of life without reason. The most piercing and disturbing part of the MFA's exhibition is the room devoted to the Desastres. Built on Goya's own experience during the six-year war between Spain and Napoleon's France, the Desastres show the carnage, the stench--the actuality of war. Goya shows no heroes and no villains. No supernatural forces are at work here--the agony and suffering are inflicted by people onto other people, and no one is spared...

Author: By Kathy Garrett, | Title: The Sleep of Reason | 11/19/1974 | See Source »

This show has brought together prints from Boston, Madrid, Paris, Berlin and London to form the most comprehensive Goya show ever seen in America. It is impressive just to see the Disparates and the Desastres de la Guerra in Goya's working proofs, for these two series were published after his death, and the formal prints have been altered from what Goya meant them to be. But to have these juxtaposed with the Caprichos, and to see how Goya changed his images of human folly over 19 years is an unforgettable experience...

Author: By Kathy Garrett, | Title: The Sleep of Reason | 11/19/1974 | See Source »

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