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Rebel leaders and U.S. embassy officials in the region insist that they favor more coverage, but CIA officers apparently feel different. "There are turf and policy battles going on," says an observer familiar with the guerrilla operation. "The State Department wants to provide access for correspondents because it needs to convince Congress that continued contra funding is worthwhile. The CIA reckons the chances of winning are better without the press looking over its shoulder...

Author: /time Magazine | Title: Press: The War That No One Can Cover | 2/16/1987 | See Source »

Caught in a crossfire of deceit, red tape, censorship and logistics, truth is usually an early casualty in any war. Guerrilla conflicts are especially difficult to cover, since there are no front lines and battles are usually fleeting. Nonetheless, the secrecy surrounding the contras is both excessive and ill conceived. After all, the Reagan Administration has made the rebel effort a centerpiece of its foreign policy. Congress, which approved $100 million in military aid last summer, is likely to debate the issue of further help later this month. Without extensive and independent reporting about whether the contras are making progress...

Author: /time Magazine | Title: Press: The War That No One Can Cover | 2/16/1987 | See Source »

These could be the lyrics to the life of Patti Rasnick (Joan Jett), a guerrilla soldier in the rock revolution. Patti's rifle is a Gibson guitar; her army is a Cleveland band she fronts called the Barbusters; and her enemy is Mom (Gena Rowlands), who drives Patti bats with her meddling, consuming love. Patti seceded from the family when she had a son out of wedlock. "I wanted something she had no part of," Patti tells her brother Joe (Michael J. Fox). Joe, the Barbusters' lead guitarist, is peacemaker in the Rasnick war, but sometimes he feels like...

Author: /time Magazine | Title: Cinema: Talkin' 'Bout My Generation LIGHT OF DAY | 2/9/1987 | See Source »

Hollywood (and not just Hollywood) refused to see that Viet Nam was different. All the old givens -- beau geste, military master plans, unswerving belief in the officer class -- were fatally irrelevant to a guerrilla war. Forget the World War II narrative line of tanks and tactics, which moved with the ponderous sweep of a Golden Age Hollywood plot. Viet Nam, set in jungles without beginning or end, was a flash of episodic, aleatory explosions; it was modernism brought to war. And a new kind of war demanded a new look at the war-movie genre. Platoon fills the bill...

Author: /time Magazine | Title: Platoon: Viet Nam, the way it really was, on film | 1/26/1987 | See Source »

...A.N.C. President Oliver Tambo as he presided over anniversary festivities in Lusaka. There were speeches, rallies and a birthday cake decorated with icing in black, green and gold, the A.N.C.'s colors. But the most remarkable event was Tambo's speech, in which he played down the bloody guerrilla tactics that the A.N.C. has advocated in recent years. Instead, he embarked on a more moderate approach, pledging that "civilians, both black and white," would not be harmed by A.N.C. fighters. He called on whites to "come together in a massive democratic coalition" with blacks. Declared Tambo: "Our white compatriots have...

Author: /time Magazine | Title: South Africa Stiff Challenge, Swift Reaction | 1/19/1987 | See Source »

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