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...Kevin Durant: When they say "savior," that's a big-time word to use. But I guess it's an honor. I know I'll continue to work hard to be one of the great players in the NBA. That's the most I can offer right...

Author: /time Magazine | Title: Q&A: Kevin Durant on NBA Draft Day | 6/28/2007 | See Source »

...star range does account for the great gray middle most movies occupy), it restricts the critics' appraisal of a film to "I liked it" and "I didn't like it." To express special enthusiasm, the critics can say, "Two thumbs up! Way up!" or, I guess, "That was thumb movie!" It's a pity; the shadings of Roger's thoughts on a movie deserve a wider vocabulary, which of course he provides in his print reviews...

Author: /time Magazine | Title: Thumbs Up for Roger Ebert | 6/23/2007 | See Source »

...relatively smoothly. This is in contradistinction to life in the Krzeminski mob back in Buffalo. They are being decimated by the rival O'Leary gang, whose sneering, sadistic leader (Dennis Farina) is in no mood to take prisoners. A sober Frank's odds-balancing presence is now required, and - guess what? - Frank is going to require a little help from Laurel to get all the circles squared...

Author: /time Magazine | Title: You Kill Me: Gently Winning | 6/22/2007 | See Source »

...Shultz went on. "I guess the point I'm making here is that ideas matter a lot, the underlying ideas that stand behind policies. When you don't have ideas, your policies are flip-flopping all over the place. When you do have ideas, you have more consistency. And when you have the right ideas - then you can get somewhere." Reagan had the right ideas...

Author: /time Magazine | Title: 20 Years After "Tear Down This Wall" | 6/11/2007 | See Source »

...there is no rhyme or reason to this jumble - except perhaps to stress Edith's endless self-victimization. This lack of narrative coherence naturally has the effect of distancing us from her story. I guess Dahan thinks it really only has one point - her misery - and that it doesn't make much difference what order he presents it. Cotillard appears to be as tiny as Piaf was (the singer was only 4' 8") and she acts neurasthenic as all get out, but somehow her constantly victimized state works against our sympathetic response, particularly since the film's random structure often...

Author: /time Magazine | Title: A Very Dreary Vie En Rose | 6/8/2007 | See Source »

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