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Mexico wasn't one of Osama bin Laden's targets, but it got hit anyway. For a time, Mexicans had reason to hope their lives would get simpler, as President Vicente Fox pushed the U.S. to legalize the status of migrants like Guzman and set up a guest-worker program for those who haven't yet crossed the border into the U.S. The topic was a high priority for President Bush in the days after his last meeting with Fox. For five days, to be precise. Their summit was Sept...

Author: /time Magazine | Title: Dispatch From The Border: Slamming The Door | 3/11/2002 | See Source »

...Guest...

Author: By Crimson STAFF Writers, CRIMSON STAFF WRITER | Title: New Music | 3/8/2002 | See Source »

...Shift Repeat,”—the album’s best song—it’s all fun sugary stuff, easy to listen to but also easy to forget. Without the production wizardry, the star power, and the hype machine behind them on The Guest, Phantom Planet might have been just another unknown garage band with big dreams. Now they’ve got our attention, hopefully; they can learn to hold...

Author: By Crimson STAFF Writers, CRIMSON STAFF WRITER | Title: New Music | 3/8/2002 | See Source »

...first four tracks are unstoppable. After a dizzying intro, rapper Large Professor spits raw battle salvos over spine-cracking drums and a sick guitar lick on “XL,” followed by a whirling display of beat juggling and a multi-movement beatbox piece. The guest emcees are also a major step up from their previous album, featuring the inimitable Biz Markie on a Tom Tom Club remake, and the combined verbal torrent of Pharoahe Monch, Xzibit and Inspectah Deck on “The X.” Even everyone’s favorite loudmouthed thugs...

Author: By Crimson STAFF Writers, CRIMSON STAFF WRITER | Title: New Music | 3/8/2002 | See Source »

Bela Fleck and the Flecktones have often invited illustrious guest musicians on stage with them during concerts. During the summer of 2000, they decided to bring a number of these musicians together for a single tour. From that tour, they produced the new album, Live at the Quick. The album unites the deft musicianship of Fleck and his Flecktones with the unique talents of artists like saxophonist Paul McCandless, bassoonist Paul Hanson and Congo ol’Ondar, a Tuvan throat singer capable of simultaneously singing different pitches. Combined with Fleck’s electric banjos and Future Man?...

Author: By Crimson STAFF Writers, CRIMSON STAFF WRITER | Title: New Music | 3/8/2002 | See Source »

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