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...Held two or three times a year in various Asian cities (the next is scheduled for Kathmandu in March 2007), the courses have previously featured guest lecturers such as photojournalist Tom Stoddart and celebrated war photographer Philip Jones Griffiths. There are no more than 12 to 16 participants at a time, and all are thrown in at the deep end - tasked with producing a professional-quality photo essay by the end of the week. To help them, there are robust discussions, sessions of one-on-one tuition and nightly show-and-tells, during which each day's images are critiqued...

Author: /time Magazine | Title: Picture Perfect | 10/19/2006 | See Source »

Professional wrestling meets Japanese monster flicks this Friday at Avalon, where you can check out Boston-based performative arts/wrestling group Kaiju Big Battel for its “Shpadoinkel Mania XVIII” featuring “special Japanese musical guest Gelatine.” Confused...

Author: By FM Staff | Title: Get out! | 10/18/2006 | See Source »

...most alert American artists were gathered. That is what happened to The Studio, which Picasso completed in 1928. It was first seen briefly in the U.S. five years later. But by 1935 it had found its way into MOMA's permanent collection. In the Whitney show's catalog, guest curator Michael FitzGerald says that that canvas "would obsess Gorky and his friends for the remainder of the decade...

Author: /time Magazine | Title: Picasso's Progeny | 10/9/2006 | See Source »

...Crimson also has several editorial cartoonists, who are given space for a weekly cartoon. Like columnists, cartoonists are generally given a lot of leeway in the scope of their topics. We also publish the cartoons of guest cartoonists on occasion...

Author: By The crimson editoral board | Title: The Harvard Crimson’s Editorial Page: How We Work | 10/6/2006 | See Source »

...cared about, but which are ultimately lost in the garbage. Despite being his twentieth or thirtieth sex song, “Girls Gone Wild” is the very first time Luda has carried a song completely by himself—which means no show-stealing beats, no guest stars, no hooks—just three and a half minutes of Chris Bridges doing some world-class MCing. “Ultimate Satisfaction,” featuring Field Mob, is probably worth hearing at least once or twice. “Runaway Love,” featuring a Talib Kweli...

Author: By J. samuel Abbott, CRIMSON STAFF WRITER | Title: CD Review: Ludacris, "Release Therapy" | 10/5/2006 | See Source »

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