Word: guez
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Dates: during 1940-1949
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Shorn of his parliamentary immunity, Cattáneo was immediately subject to arrest on the new criminal charge of "disrespect" to the President. Two former Radical deputies, Ernesto Sammartino and Agustín Rodríguez Araya, previously ejected from the Chamber, had set him an example by fleeing to Uruguay (TIME, Oct. 10). While police searched 64 public establishments and private homes (including those of two high-ranking army officers), Cattáneo gave them the slip in the middle of a downtown Buenos Aires traffic jam. At week's end he, too, apparently was safe in Montevideo...
Because of la cometa, more people than usual were praying in Mexico City churches, but they lighted fewer candles at the altars. Explained sad-eyed Maria Rodríguez, as she stood in the queue at the corn mill on Niño Perdido Avenue: "When artificial light burns while a comet is in the skies, newborn babies will be marked, on their bodies if male and on their faces if female." The other women nodded soberly. "Even if all the lights are out," said Juana Sanchez, "one hundred children will be born this year with harelips, two prominent...
...tango tunes put together by the Tin Pan Alleys along the Plata, the one locally regarded as No. 1 is La Cumparsita. Gerardo Hernán Mattos Rodríguez, a Uruguayan, wrote it in 1916. An architecture student at the University of Uruguay, he had seen a group of boisterous fellow students, evicted from their rooming house, pick up the tables and chairs and march out in a noisy procession (cumparsa). That gave him a title. He quickly knocked out a doleful melody and a set of lyrics that were soon replaced by those of a rival lyricist...
...Racetrack. Young Mattos Rodríguez sold La Cumparsita to a Buenos Aires publisher for 20 gold pesos, lost them at the races next day, later had to pay the money back when his contract with the publisher was voided because he was a minor. That was luck in disguise. In the years that followed, he made enough from La Cumparsita-and other tangos-to stake him to a comfortable life in Paris and free-spending afternoons at many a racetrack...
When Mattos Rodríguez died last week in Montevideo, at 51, Buenos Aires newspapers barely mentioned it, and the deadpanned dancers in the big, middle-class dance halls, in the low dives and tony boîtes did not even know that La Cumparsita's composer was dead. But their feet still followed his rhythms and their silent lips mouthed the lines...