Word: guff
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Dates: during 2000-2009
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...Rubenstein didn't deny that easy credit also boosted profits. And at the Buyouts East conference in New York City in late March, I heard another industry veteran, George Siguler of the firm Siguler Guff & Co., paint a grim picture of private-equity returns in a deleveraging and struggling economy. "The available universe of companies that buyouts can buy is essentially mediocre companies, and mediocre companies are going to have a much tougher time," he said...
Since Seinfeld, "hugging and learning" has come to stand for a certain kind of namby-pamby network comedy. But while there was hugging on The Cosby Show, Dr. Cliff Huxtable's love for his kids was filtered through the wry, no-guff sensibility that Bill Cosby developed on his comedy records. And the learning was literal, as the through line of the series was son Theo Huxtable's struggles with dyslexia. (The plot became poignant with the 1997 murder of Cosby's son Ennis, on whom Theo was based.) It's a sign of how quickly Cosby changed TV that...
WILLIE AND ELSA: Kate Capshaw took a lot of guff for her portrayal of insufferable showgirl Willie Scott in Indiana Jones and the Temple of Doom. But the writers were also to blame. Far more appealing was Alison Doody's treacherous Elsa in Indiana Jones and the Last Crusade--and, Holy Grail, she was a Nazi...
...four of whom are girls, Rhimes says the banter of women is the most familiar sound in her world. In fact, her mother, who returned to school and earned a doctorate in education after raising her children, was the main inspiration for Dr. Bailey (Chandra Wilson), the take-no-guff senior resident and one of the series' strongest characters. Having graduated from Dartmouth in 1991, Rhimes tried writing advertising copy, novels and then movies. Her films--Princess Diaries 2: Royal Engagement, Crossroads and HBO's Introducing Dorothy Dandridge--all deal with women who make plucky choices. Four years ago, Rhimes...
...pain feels real in A Long Way Down, although not at the price of Hornby's pleasantly bitter wit. But what makes the book work is Hornby's refusal to give an inch to sentimentality or cheap inspirational guff. "I didn't want a book where they loved each other," he says. "That seemed like a kind of bad, Hollywood way to go. They are frank with each other, but mostly so that they can abuse each other." Spoken like a true heavyweight. -By Lev Grossman