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...McCurry; he wouldn't touch that one. That's why he's fun to watch: he's not slimy. He never wriggles, he never answers any question twice, and he doesn't take any guff from Sam Donaldson. And he knows how to work a room; Thursday, with the scandal in full swing, what were McCurry's first words to the packed briefing room? "Let's see, what do you want to talk about today...

Author: /time Magazine | Title: Mike is Man Among Flacks | 1/23/1998 | See Source »

...point came during a June 5 game in the central city of Gifu, when the burly Di Muro called two strikes on popular Chunichi Dragons slugger Yasuaki Taiho. Taiho didn't appreciate it much, and let Di Muro know it. Since American umpires take less guff than their Japanese counterparts, Di Muro tossed Taiho out of the game. That touched off a melee. The crowd jeered at the American, and coaches and players charged him. Taiho repeatedly shoved Di Muro in the chest. The end result: U.S. baseball officials called Di Muro home last week, while Taiho played ball...

Author: /time Magazine | Title: BASEBALL: YANKEE, YOU'RE OUT | 6/23/1997 | See Source »

...drawings, prints and sculptures at New York City's Museum of Modern Art has all the air of a cult event. This is not the fault of the curator, Kirk Varnedoe, who has done an exemplary job of hanging the show and, without resorting to the usual pseudo-philosophical guff that attends critical discussion of Johns, describing and analyzing his work in the catalog. Rather, it seems immovably built into the penumbra--glowing, and yet after all these years possessing the consistency of solid concrete--that surrounds the work...

Author: /time Magazine | Title: BEHIND THE SACRED AURA | 11/11/1996 | See Source »

...mannerism in Europe by the late 1930s, and was revived in America by artists who discarded its utopian fantasies and replaced them with ideas related to epic space, primitive ritual, spontaneous gesture and the sublime. But who today still buys the rhetoric that surrounded Abstract Expressionism--all that oracular guff about existential confrontation, tragedy, timelessness and how we're locking horns with Michelangelo...

Author: /time Magazine | Title: ART: GOLDEN OLDIES | 3/4/1996 | See Source »

Stephen King here tries a novel without his customary latex spider webs and prop-department zombies, and nearly makes it work. What drives Dolores Claiborne is a powerful characterization of the title figure, a cranky old Maine islander who takes no guff from life or death. In a rasping, unrepentant tale to police, she admits to murdering her rotten husband 30 years ago. Narrative logic is murky here, but her confession is supposed to show that, on the other hand, she has not murdered her employer, a rich, loony off-islander...

Author: /time Magazine | Title: The Weird and The Yucky | 12/7/1992 | See Source »

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