Word: guggenheim
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...cartoonist I was interested in Roy Lichtenstein's comments on comic strips in your article on pop art. Though he may not, as he says, copy them exactly, Lichtenstein in his painting currently being shown at the Guggenheim comes pretty close to the last panel of my Steve Roper Sunday page of Aug. 6, 1961. Very flattering ... I think...
GEORGE GALLUP ROBERT M. GANGER WILLIAM F. GIBBS ALTHEA GIBSON SOPHIE GIMBEL DONALD A. GLASER BARRY GOLDWATER RUTH GORDON CHARLES H. GOREN CRAWFORD H. GREENEWALT GEORGE H. GRIBBIN ERNEST GRUENING MRS. WINSTON GUEST HARRY F. GUGGENHEIM...
...contribution is increasingly merged with others'. There is a kind of intellectual welfare state: poets and novelists spend their lives in the sheltering arms of universities. Men with ideas may not ask, like their "commercial" brothers: "Will it sell?" But they do ask: "Will it get me a Guggenheim?" Foundations pour their fertilizing funds over the landscape, doing a great deal of good, but not necessarily for the individual: it costs too much to give small amounts to individual applicants, while it is much easier to give large sums to organizations. Scientists, although they often think of themselves as individualists...
...entries. But for the first time that anybody could remember, there were two undefeated horses in the field. Eastern money was on Joan Whitney Payson's No Robbery, who had won all five of his races by a minimum of 2½ lengths. Then there was Captain Harry Guggenheim's Never Bend, the richest horse of all, a dark bay with $502,484 in his bankroll. At post time, Candy Spots was the 3-2 favorite; No Robbery was 5-2; Never Bend was the close third choice at 3-1. The rest of the field went into...
...group of British intellectuals, including Curator Lawrence Alloway of the Guggenheim Museum, coined the term pop art back in 1956 to describe how certain serious artists were incorporating images from TV, movies and other forms of popular art into their work. But until a few galleries began picking them up, U.S. pop artists were barely aware of one another. Today, they are the new bandwagon; and since the avant-garde public is so hungry for more and more avant, the pop artists are in the chips. Wesselmann can sell a collage for $2,500; a Claes Oldenburg Floorburger is priced...