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Thirteen members of the Faculty and research staff have been awarded Guggenheim Fellowships for 1958, Henry A. Moe, Secretary-General of the Foundation, announced yesterday...

Author: NO WRITER ATTRIBUTED | Title: Thirteen Guggenheim Fellowships Awarded To Faculty Members | 4/28/1958 | See Source »

...various points in this book, the reader learns that Graves has "bitter black Protestant blood," inherited from a grandfather, the last Protestant Bishop of Limerick; that at his home in Majorca he writes 500 words a day with a steel nib; that he dislikes Guggenheim fellowships ("When I was young . . . one didn't expect to be publicly supported just because one happened to write unsaleable verse"); and that he likes to test a poet's verboseness by summarizing stanzas in cablese, e.g., Wordsworth's "The Solitary Reaper": SOLITARY HIGHLAND LASS REAPING BINDING GRAIN STOP MELANCHOLY SONG OVERFLOWS...

Author: /time Magazine | Title: Books: Meet Robertulus | 3/31/1958 | See Source »

Manhattan architects, who swarmed to the museum's exhibit, came away impressed but perplexed. What lesson did Gaudi's flowering masonry buildings teach in the age of steel beams and plate glass? Guggenheim Museum Director James Johnson Sweeney thought he knew part of the answer. Said he at the museum's standing-room-only symposium: "Gaudi points the way not through a restatement of Gaudi, but by restatement of his method of approach. He has brought home the value of architecture as sculpture." Critic Henry-Russell Hitchcock, who with Architect Philip Johnson kicked...

Author: /time Magazine | Title: Art: NEW ART NOUVEAU | 3/10/1958 | See Source »

...Carmel Highlands, Calif. At 37, Weston abandoned his Los Angeles portrait studio, moved to Mexico where he worked with Painters Diego Rivera and José Orozco, in 1926 returned to California, began a series of precise, sharply composed nature studies that made him famous, won (in 1937) the first Guggenheim fellowship ever given to a photographer. Weston used little equipment, almost never retouched or cropped his clear, spare negatives, cautiously refused until 1947 to use color film, but when he did (LIFE, Nov. 25, 1957) produced some of the finest pictures of his career...

Author: /time Magazine | Title: Milestones, Jan. 13, 1958 | 1/13/1958 | See Source »

...shame Peggy Guggenheim's collection is going to Venice [Dec. 16]. All modern art should be in America...

Author: /time Magazine | Title: Letters, Jan. 6, 1958 | 1/6/1958 | See Source »

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