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...School of Architecture building. "The beauty of this material is that we can use it on curved surfaces, but we can also swag it like a textile to provide shading and cut out glare on windows," says Rick Haldenby, director of the school. So theoretically the curves of the Guggenheim Museum in Bilbao and the Sydney Opera House could be covered, as could lap-tops and cell phones, to generate their own power. The future, it seems, will be jeanetically modified. - By Robin Banerji

Author: /time Magazine | Title: A View To A Profit | 3/2/2003 | See Source »

Buckley, who became a U.S. citizen in 1948, was a Guggenheim fellow in 1946-47 and again in 1964. He was awarded Phi Beta Kappa’s Christian Gaus Prize in 1952. Buckley was also a fellow of the American Academy of Arts and Sciences as well as a member of the Board of Syndics of the Harvard University Press. He also taught at the University of Wisconsin and Columbia University before returning to Harvard...

Author: By Rosina L. Lanson, CONTRIBUTING WRITER | Title: Former Leverett Master, Victorian Scholar, Dies at 85 | 2/20/2003 | See Source »

During his lifetime, Kitzinger was rewarded with numerous honors and awards including a Fulbright Scholarship and a Guggenheim Fellowship. He was a member of the Institute for Advanced Study at Princeton and Slade Professor of Fine Arts at the University of Cambridge...

Author: By Ella A. Hoffman, CRIMSON STAFF WRITER | Title: Univ. Professor, Art Historian Dies At 90 | 2/7/2003 | See Source »

...changes everything, even the way things look. Charles Eames used a wood-shaping method developed to make better, lighter splints in World War II to create his iconic molded-plywood chair. Frank Gehry turned to Catia, the software used to design military aircraft, to help create his Guggenheim Bilbao. That chair and that museum were new, and looked new, in a way few things ever do. Design that is different in its elements, not just restyled or reinvented, arises from an almost chemical reaction that takes place when a person meets a material, a practice or a technology and sees...

Author: /time Magazine | Title: The Shape Of Things To Come | 2/5/2003 | See Source »

Libeskind's design, along with most of the designs submitted for the competition--buildings that swoop and stride--tell you again what Frank Gehry first made plain with his Guggenheim Museum in Bilbao, Spain. In architecture, the old world is dead. And with the exception of Gehry, there's no more powerful emblem of that change than Libeskind, 57, who was thrust into fame three years ago with his first building. In the late 1980s, when he won a competition to design the Jewish Museum in Berlin, Libeskind's name was known only to people who followed architectural theory. Though...

Author: /time Magazine | Title: Architecture: Filling The Voids | 2/5/2003 | See Source »

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