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Ross A. McFarland, Guggenheim Professor of Aerospace Health and Safety Emeritus at the School of Public Health and a pioneer in the study of human response to environmental stress, died Sunday...

Author: By David Beach, | Title: Ross McFarland Dies; Pioneered Study of Stress | 11/13/1976 | See Source »

...glory of New York is its museums. Highlights: the Metropolitan's special shows-Chinese landscape paintings, Goyas on loan from the Prado, the great Norbert Schimmel collection of ancient art. The Museum of Modern Art displays ideal taxis, the Whitney offers "200 Years of American Sculpture" and the Guggenheim Museum has its whole collection of early 20th century European paintings from 1880-1945 on view. And where else, in the same day, can one look at the only complete manuscript of a Mozart opera in this country (Der Schauspieldirektor, at the Pierpont Morgan Library), a brilliantly nostalgic collection...

Author: /time Magazine | Title: The Nation: Summer Art | 7/19/1976 | See Source »

...high school student, opened her own portrait studio in 1910 and kept on track as a young mother in the 1920s, photographing the flowers in her garden. Her portraits, nudes, surrealistic juxtapositions and sensual studies of plants have been seen in scores of shows. She won a Guggenheim fellowship when she was 86 and was still working this year...

Author: /time Magazine | Title: Milestones, Jul. 5, 1976 | 7/5/1976 | See Source »

...Aiming at the Stars" [March 29] you recounted the billions upon billions of dollars spent by NASA on the space program based on Dr. Goddard's experiments but you neglected to mention that he did all of his work on $25,000 which was annually contributed by the Guggenheim Foundation...

Author: /time Magazine | Title: Forum, Apr. 19, 1976 | 4/19/1976 | See Source »

...predictive powers also had to do with art style itself. Having fled from Occupied France to the U.S. (where he married Peggy Guggenheim, his third wife, in 1941), he made some small paintings by swinging a punctured can of paint on a string above a canvas laid flat on the floor; the resulting pattern of drips clearly anticipates Jackson Pollock. There was no chance technique - staining, rubbing, splashing, accidental manipulation, transfer blots - that Ernst did not pioneer; and if the work of his last 30 years (except for the sculpture, which is still much underrated) rarely seemed as impressive...

Author: /time Magazine | Title: Art: MAX ERNST: The Compleat Experimenter | 4/12/1976 | See Source »

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