Word: guggenheimer
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
Ford studied in France on a Fulbright Fellowship before joining the Faculty: in 1955 he went to Germany for a year as a Guggenheim Fellow. From 1956 to 1961 he was Allston Burr Senior Tutor in Lowell House...
...Stanley Landsman and Roy Lichtenstein are also devotees of the period. Landsman collects slender "green-ies," a kind of metal figurine usually portraying a modish nymphet in an affected pose, which were popular as a decoration atop the family radio console. In his current show at Manhattan's Guggenheim Museum, Lichtenstein displays a series of what he calls "modern sculptures," whose source he proudly admits is his own extensive library of Art Deco. Done in sleek brass, they look as if they should be holding back the crowds at Radio City Music Hall. Another indication...
...memoirs, Peggy Guggenheim describes a character she calls "Oblomov," which is her name for the young Samuel Beckett of the 1930s. The name was apt. Oblomov is the hero of a 19th century Russian novel by Goncharov, and he is famed for his inability to get out of bed. The mere thought of taking any action or making any decision makes him burrow deeper under the covers in a paroxysm of inertia. Miss Guggenheim's "Oblomov'' told her that "ever since his birth he had retained a terrible memory of life in his mother's womb...
...first time the full development of the canny, determined peasant's son who literally walked to Paris from his native Rumania to become an artist. Currently installed at the Philadelphia Museum of Art, the show was initiated by Director Thomas Messer of New York's Guggenheim Museum. Messer's biggest triumph was to get Rumanian museums and collectors to release six works of their country's most celebrated modern artist. Loans from other owners (including Paris' Museum of Modern Art, which inherited the contents of Brancusi's studio on his death in 1957) have...
...hoked-up cartoon strips, billboard fragments-and met mostly loud guffaws. But after less than a decade Pop art has not only come of age; it has -such is the accelerated pulse of art movements today-almost become venerable. As a sure sign of esteem, New York's Guggenheim is now holding a retrospective of the comic-strip-inspired works of Roy Lichtenstein, and the saggy, baggy sculptures of Claes Oldenburg are on display at the Museum of Modern Art. The Whitney Museum, not to be outdone, will exhibit another major Pop artist, Jim Dine, in February...