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Word: guggenheimers (lookup in dictionary) (lookup stats)
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...explosions sold. In ten years, he had seven shows with Betty Parsons, a dozen more at other top galleries in Europe and the U.S. Manhattan's Metropolitan, Whitney and Modern Art museums bought his work; so did such collectors as Nelson Rockefeller and Peggy Guggenheim. But Congdon shrank from success. He traveled widely through the Mediterranean in search of new images, drank as a stimulus to creation. "Each painting," he wrote, "seemed to redeem me, as the life-ring saves the drowning man. I began to see in each painting a stay against the eventual death sentence...

Author: /time Magazine | Title: Religion: Faith Abstracted | 3/2/1962 | See Source »

...Sestriere (see color pages), a name relatively new to Americans. Its two circular hotels, La Torre and the Duchi d'Aosta, rear out of the snow like overgrown silos; the Duchi guest rooms are reached by a continuous ramp around a sunlit core, something like Manhattan's Guggenheim Museum with chambermaids. Both La Torre and the Duchi d'Aosta are moderately priced inns; their sister hotel at Sestriere, the Principi di Piemonte, ranks high in Europe's catégorie luxe, is decorated with expensive taste and has rates to match: $22 per day, full pension...

Author: /time Magazine | Title: Recreation: White Gold on the Ski Belt | 2/23/1962 | See Source »

...Jackson Gallery, Dine concentrates on paintings of articles of clothing -suspenders, shoes, hats, and a gaudy parade of neckties. Dine fans have bought up three-fourths of the paintings, and the show boasts a learned interpretation by the British critic Lawrence Alloway. who was recently named curator at the Guggenheim...

Author: /time Magazine | Title: Art: The Smiling Workman | 2/2/1962 | See Source »

...late Jan Müller had little sympathy with conventional notions of beauty; his visions were tormented, and he purposely painted them as bluntly as he knew how. As could be seen last week at a retrospective exhibition at Manhattan's Guggenheim Museum, Müller was a painter of extraordinary power and skill: even at his most grotesque he fascinates where a lesser talent would only repel...

Author: /time Magazine | Title: Art: Airless Despair | 2/2/1962 | See Source »

Bluestone, now on a Guggenheim Fellowship, wrote and directed the film, based on a tale by Herman Melville, at the University of Washington. Crews and actors, except for laboratory and sound technicians, were non-professional. Bluestone has also written Novels into Film (1957), a novel; The Private World of Cully Powers (1960), and several stories and reviews...

Author: NO WRITER ATTRIBUTED | Title: Film Critic Will Lecture at Loeb | 1/24/1962 | See Source »

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