Word: guggenheimers
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...always mentally ducking," he says now. "People would yell at me and say, 'You can't do that.'" Nobody says no to Gehry anymore, certainly not since the triumph three years ago of his Guggenheim Museum in Bilbao, Spain. His hurtling design there was certified at once as "the most important building of our time" by Philip Johnson, the very gray eminence of American architects. It may also be the most purely delightful. With its improbable towers tilting against themselves and its titanium sheathing in full refulgent glow, it brings on a question that the world has not enjoyed asking...
...Guggenheim has also flooded tourists into Bilbao, provided backup curves in a Mariah Carey video and was featured in the most recent James Bond film. What this means is that Gehry has managed to be both intellectually respectable and popular, not just populist, a balancing act that makes his tilted towers look easy. Richard Meier is the great American architect whose stately modernist buildings, most of them in a white so ideal it could be used for the table settings at Plato's Symposium, are the very opposite of Gehry's Baroque tumblings. Yet even Meier is happy about...
...April, Gehry also unveiled his model for yet another Guggenheim, this one in lower Manhattan, adjacent to the Brooklyn Bridge. Whether it gets built will depend on Guggenheim director Thomas Krens' ability to persuade enough people that New York City, which has a Guggenheim annex in SoHo, needs a third branch. Gehry's design will also have to overcome critics who say it will dominate the Manhattan skyline, which takes some doing, but a building by Gehry could...
This is a big year for Giorgio Armani. It marks the 25th anniversary of his company and, on July 11, his 65th birthday. And he has big plans. There's the exhibition of his work opening at the Guggenheim museums in New York City in October and Bilbao, Spain, next March, then traveling to Tokyo, London and Venice. He is launching home and cosmetics lines, as well as shoes and handbags, unveiling an office in Milan with a theater for his fashion shows, and building a huge outlet, also in Milan, to house Emporio Armani, Armani Jeans and the first...
...though Miro or Matisse is about to vanish into the oubliette--that isn't in the cards. The 20th century has seen great artists whose work and names, as the eulogists say, will live forever. But the Guggenheim's show makes you think of the impending fate of our present. It is a lead-pipe cinch that the year 2100 will see the absurdities of our taste, both private and official, and wonder how we could have been so comically wrong about such self-evident crap. A few score years from now, will Jeff Koons' porcelain confections be on view...