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Word: guggenheimers (lookup in dictionary) (lookup stats)
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...final group is also split between Boston-area residents and outsiders, according to Guggenheim Professor Criminal Justice Mark H. Moore, one of 10 advisors to the search process who reviewed the applicants' resumes...

Author: By Matthew M. Hoffman, | Title: Finalists Selected For Top Police Job | 1/23/1991 | See Source »

...same level as De Kooning's or Pollock's. He certainly shared the early Abstract Expressionist interest in primitive art, totems, archetypal forms. And its general legacy from '30s Picasso too: Pousette-Dart's Portrait of Pegeen, 1943 (the subject was the deeply neurotic teenage daughter of Peggy Guggenheim, his dealer), is heavily dependent on Picasso's Girl Before a Mirror. There is also a scary Expressionist insight to the chaotic congestion of Pegeen's head, staring at her reflection reduced to one bulging eye and blond Veronica Lake tresses. But Pousette-Dart was a stiff, poor draftsman, with...

Author: /time Magazine | Title: Art: Seeing The Far in the Near | 11/12/1990 | See Source »

...background: Silber was born in San Antonio, Texas. His father was a German immigrant, and his mother was a school-teacher. He graduated from Trinity University, and earned his masters and his doctorate degrees in philosophy from Yale University. He was a Fulbright Fellow in 1959 and and a Guggenheim Fellow in 1963. He and his wife Kathryn have seven children. They live in Brookline...

Author: NO WRITER ATTRIBUTED | Title: The Democrats | 9/14/1990 | See Source »

...background: Silber was born in San Antonio, Texas. His father was a German immigrant, and his mother was a school-teacher. He graduated from Trinity University, and earned his masters and his doctorate degrees in philosophy from Yale University. He was a Fulbright Fellow in 1959 and and a Guggenheim Fellow in 1963. He and his wife Kathryn have seven children. They live in Brookline...

Author: NO WRITER ATTRIBUTED | Title: The Democrats | 9/12/1990 | See Source »

Thus one man spent $160.6 million for a brace of paintings, sending the top end of the market from obscenity into farce; and the drain of America's cultural patrimony continued, watched by hamstrung museums that were now selling, not buying. New York's Guggenheim Museum sold a 1914 Kandinsky for $20.9 million and a fine early Chagall for $14.85 million. Long may the museum's public rejoice in the American minimal and conceptual art -- bricks on the floor, words on paper and the like -- that it plans to buy with the proceeds...

Author: /time Magazine | Title: Art: Bumps in The Auction Boom | 5/28/1990 | See Source »

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