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...glad I'm a poor Guggenheim," says the lady in the silver fingernails with a twinkling pixy's ex pression in her eyes. But a Guggenheim Peggy emphatically is, granddaughter of the U.S. copper magnate, daughter of a millionaire who changed into his dinner jacket while the Titanic sank under him, and niece of Solomon R. Guggenheim, who bankrolled the Frank Lloyd Wright Museum in Manhattan...

Author: /time Magazine | Title: Collections: Poor Peg's Treasure | 1/22/1965 | See Source »

...instance, there were two in 1950, and there are about 18 today. In Manhattan, there were 96 art exhibitions in December 1950 and 236 exhibits in December 1964. On a recent weekend, the Metropolitan Museum clocked 96,971 visitors, the Museum of Modern Art 11,708, and the Guggenheim...

Author: /time Magazine | Title: The City: Brightness in the Air | 12/18/1964 | See Source »

...increasingly individual point of view. Their kind of psychic improvisation takes its cue from dense color and tightly woven forest. Fundamentally passionate paint slingers, they are equally adept with lithographs, a sampling of which went on view last week in Manhattan's Lefebre Gallery. A few, such as Guggenheim International Prizewinner Karel Appel, are well known; others less publicized...

Author: /time Magazine | Title: Art: The Plumed Serpents | 12/18/1964 | See Source »

...ELIAS FRIEDENSOHN, 40, like many other artists today, shifts easily between painting and sculpture. His delicate pencil drawings and scruffy oils, which emphasize "the masks people wear which stand in the way of communication," have won him Fulbright and Guggenheim fellowships. His Pyramus & Thisbe is a dial-version of Shakespeare's Midsummer Night's Dream, lovers, who can communicate only through a hole in a wall. In the painted epoxy sculpture, Thisbe appears only as an ear modeled inside the back door of the pay phone...

Author: /time Magazine | Title: Sculpture: Era of the Object | 12/11/1964 | See Source »

Skyscrapered Manhattan, taken as a whole, is one of man's most fascinating architectural conglomerations. But when it comes to singling out individual masterworks by the greats of modern architecture, the pickings are slim. Frank Lloyd Wright and Mies van der Rohe get only one building each (the Guggenheim Museum and the Seagram Building); Marcel Breuer's first structure (the new Whitney Museum) is only now going up; and Pier Luigi Nervi is relegated to a bus station at the north end of the island. Last week Finnish Architect Alvar Aalto, one of the acknowledged deans of modern...

Author: /time Magazine | Title: Architecture: A Room of His Own | 12/11/1964 | See Source »

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