Word: guggenheims
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...this somewhat simplifies architectural history. The curving line survived as a kind of subdepartment of Modernism. It flowed through the work of the great Finnish architect Alvar Aalto, spiraled up the ramp of Frank Lloyd Wright's Guggenheim Museum, filled the sails of the Sydney Opera House and even ballooned into the later work of Le Corbusier, the Ur-modernist himself. "It never went entirely away," Kaplicky insists, and he's right. But on the whole, and for a long time, it was straight lines that carried more authority. For decades contours endured a kind of underground existence. Anything...
Over the past 10 years or so, all of that has changed. The parabolic line has made its most powerful reappearance since the high-water moment of Art Nouveau at the close of the 19th century. Frank Gehry's billowing Guggenheim Museum in Bilbao, which opened 10 years ago, didn't invent the new direction, but for many people it served as the announcement. There's a whole subdepartment of architectural practice now called blob design, a term that speaks for itself. We have come to a point where the lines between architecture and ice sculpture get thinner...
...addition to her duties at Radcliffe, the multifaceted Faust serves on the board at Bryn Mawr College (where she graduated in ’68), the National Humanities Center, the Educational Advisory board of the Guggenheim Foundation, and the Andrew W. Mellon Foundation. Lawrence R. Ricciardi, a trustee at the Mellon Foundation, worked with Faust as the organization moved between presidents. “Drew has been utterly fearless and highly principled in dealing with these issues,” Ricciardi says, “always without losing her sense of humor...
...opera house, spectacular though it may be, really transform a city best known for its paella and beaches into a top arts center? Can Calatrava's magnificent edifice produce the Bilbao effect - doing for Valencia what Frank Gehry's titanium-clad Guggenheim Museum did for the industrial Basque city to the north...
...including any great temple of the sort in the film, had mysteriously disappeared 700 years before the Spanish arrived. Moreover, although the Mayans probably engaged in some human sacrifice, there is no evidence that they practiced it on the industrial scale depicted in the movie For that, as the Guggenheim exhibit suggested, one would have to look 300 miles west to the Aztecs, who had made it their religious centerpiece. Hernan Cortes (who probably rounded upward, since he conquered them), claimed the Aztecs dispatched between three and four thousand souls a year that way. Why Gibson decided to turn...