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Word: guggenheims (lookup in dictionary) (lookup stats)
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...monument for the world to admire. Mies purifies and purifies till, as at Seagram, he makes the paradigm for America's tall building. I don't want to be interesting, I want to be good,' he liked to say. Ronchamps is more amazing; Wright's Guggenheim far more extraordinary; but the Seagram Building may perhaps be the most 'good...

Author: /time Magazine | Title: Art: Mies van der Rohe: Disciplinarian for a Confused Age | 8/29/1969 | See Source »

...Fourth Crusade. Not far away, American tourists surveyed the vaulted arches whose proud occupants once presided over Medieval Europe's richest and most powerful city-state. More leisurely visitors sipped wine in the chiaroscuro atmosphere of the Florian Café, where modern expatriates from Ezra Pound to Peggy Guggenheim have gathered to talk. Almost everyone, some time during his visit, found time to marvel at the frescoes of Titian and Tintoretto, the sculpture of Rizzo and Verocchio, and the majestic bell towers and loggia of Buon and Sansovino...

Author: /time Magazine | Title: THE FIGHT TO SAVE THE SINKING JEWEL OF THE ADRIATIC | 7/25/1969 | See Source »

...show will travel later this year to the Santa Barbara Museum of Art, the University Art Museum at Berkeley, the Seattle Art Museum, and the Solomon R. Guggenheim Museum in New York...

Author: /time Magazine | Title: Art: Original in a White Coat | 7/18/1969 | See Source »

...principal topic of conversation. The surrealist émigrés from Europe (Roberto Malta, André Masson, Max Ernst) arrived during World War II, and their intellectual intensity impressed the Americans. Some, including Motherwell and David Hare, worked with the surrealists and published in their small magazines. Peggy Guggenheim's Art of This Century gallery gave many of the "new American pioneers" their first one-man shows...

Author: /time Magazine | Title: Painting: The New Ancestors | 6/27/1969 | See Source »

...went to Brooklyn's Pratt Institute, won a Guggenheim for travel abroad, enjoyed a healthy success this season at Manhattan's Cordier & Ekstrom Gallery. She considers her heads, among other things, a kind of social commentary. "Look at the censored faces in the street," she says. "You can almost see people saying, I'm not going to be caught feeling.' My figures feel right because they're all tied down. They may look frightening at first-after I had done a few, I ran out of my studio. Then I began to see how defenseless...

Author: /time Magazine | Title: Trends: Beyond Nightmare | 6/13/1969 | See Source »

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