Word: guggenheims
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Ross A. McFarland, Daniel and Florence Guggenheim Professor of Aerospace Health and Safety at the School of Public Health, said that dizziness, nausea, pain in the ears, and loss of consciousness are possible side effects from riding such trains...
Given such a massive body of work, a major problem in staging a retrospective was to find a museum that could adequately display it. Manhattan's Guggenheim Museum turns out to be just the place, with its soaring inner space and gigantic spiral ramp designed by Frank Lloyd Wright. A few large, most strongly vertical works look slightly lopsided because of the ramp's slope. But by and large the Guggenheim's arbitrary architecture admirably enhances the drama of Smith's career...
...Vision. Just inside the door is Cubi XXVII, Smith's last work. A commanding construction of stainless steel, its open central square draws the visitor toward it, then past it up the ramp. Thus, instead of going up by elevator and sauntering downward-as he does with most Guggenheim exhibitions- he finds himself climbing upward, approximating the demanding path that the sculptor pursued...
...made from strips of steel welded together into flat, picture-like compositions. His masterpiece in this genre is Australia (1951), a 9-ft.-wide, predatory sort of flying queen ant that stands on a pedestal, as much signpost as symbol. Australia occupies a niche of its own at the Guggenheim, for it marks the end of Smith's apprenticeship to foreign styles and his emergence as an innovator with followers of his own. Thereafter, his works became increasingly abstract, although to the last their profiles also ambiguously suggest the stature and presence of a human being...
...last turn on the ramp at the Guggenheim, lined with proud "Zigs" and sprightly "Arcs," Wright's giant skylights loom close above the sculpture, filtering wan daylight through and crushing the mighty works down to an almost puny human scale. But if the ambience seems bleak, it is also strangely appropriate, for Smith's last works were conceived and built in desolation. His second wife had left him in the isolated mountain house, taking with her their two daughters. Visitors, though they revelled in the gourmet meals that the sculptor cooked and joined in the monumental drinking bouts...