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...defensive end, the Crimson's success will depend on the effectiveness of Yale's senior goalkeeper, Jim Guido. After winning the starting job from classmate and former All-Ivy Chris Swanenburg. Guido has led the nation in save percentage over the course of this season...

Author: By Gary R. Shenk, | Title: THE GAME II: Laxmen Challenge Elis Today For First Place in Ivies | 4/28/1990 | See Source »

Andreas Meyer-Landrut, chief of staff to the West German president, Joseph S. Nye, the Ford Foundation Professor of International Security, and Guido G. Goldman '59, the director of the Center for European Studies, agreed that the unification question will ultimately be decided by the German people...

Author: By Jonathan M. Berlin, | Title: Panel of Experts Predict Unification of Germany | 2/8/1990 | See Source »

...King, who had some difficulty getting him back -- the first time because Velazquez had gone into an ecstasy of discovery (Rome, in 1630, was the world's capital of contemporary as well as ancient art, and the young artist was absorbing the lessons of Caravaggio, Poussin and Guido Reni), and the second time because Velazquez, now in his 50s, was basking in his European reputation. And in between, nothing but security and hard work...

Author: /time Magazine | Title: Art: Velazquez's Binding Ethic | 10/9/1989 | See Source »

Anyone who thinks art reputations, once made, are imperishable, should think again -- about Guido Reni (1575-1642). The retrospective show of 51 of his paintings is on view through May 14 at the Kimbell Art Museum in Fort Worth, having been seen in Bologna (in a larger form) and Los Angeles. Reni was the leading Bolognese artist of the 17th century. For nearly 200 years after his death, he was adored by a long line of connoisseurs and tourists who held him to have been angelically inspired, the greatest painter of his age: as famous...

Author: /time Magazine | Title: Art: The Partial Comeback of A Fallen Angel | 5/8/1989 | See Source »

...first puff of feathers detach itself from the wing of the Angelic Limner in 1846, when John Ruskin lets fly in Modern Painters: "A taint and stain, and jarring discord . . . marked sensuality and impurity." In 1895 Romain Rolland downed him: "He was able to deceive two entire centuries . . . Guido's laborious conscientiousness is void of thought and true feeling." Two years later, Bernard Berenson wrung his neck: "We turn away from Guido Reni with disgust unspeakable." And it was downhill from there; in 1910 one of his versions of Bacchus and Ariadne sold at Christie's for just under (pounds...

Author: /time Magazine | Title: Art: The Partial Comeback of A Fallen Angel | 5/8/1989 | See Source »

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