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...Review editors note that it is common practice to edit articles heavily before publication, pointing to an earlier piece by Guido Calabrese, dean of Yale Law School, as a clear case in point. Editors disagree, ,however, on whether Ogletree's article was a particularly egregious example of pre-publication "editing...

Author: By Rajath Shourie, | Title: Ogletree Article Rumors Renew Charges of Racism at Law Review | 6/10/1993 | See Source »

...search for Yale's 21st president winds down, speculation centers on a handful of candidates Yale Provost Judith Rodin; Yale Law School Dean Guido Calabrest. Columbia law School Dean Lance M. Liebman and others...

Author: By Andrew L. Wright, | Title: Yale Search Has No Deadline | 3/4/1993 | See Source »

They include Yale's current provost Judith Rodin, former provost William Brainard, Yale Law School Dean Guido Calabresi and Wellesley College President Nannerl Keohane, the wife of Harvard's Stanfield Professor of International Peace Robert O. Keohane...

Author: By Stephen E. Frank, CRIMSON STAFF WRITER | Title: Yale Narrows President List | 11/21/1992 | See Source »

Other contemporaries, such as Guido Reni and Annibale Carracci, affected him deeply as well; he had worked on their turf, in Parma, before coming to Rome. It was, however, Caravaggio, the tragic realist, with his dramatically articulate figures sculpted by darkness, his appetite for common life and his candor about the apprehensible world, who had blown away the mincing academism of late mannerist art and shown the way forward to a whole generation of younger European painters, of whom Ribera was the most gifted...

Author: /time Magazine | Title: Art: Baroque Futurist | 10/12/1992 | See Source »

...19th century were so obsessed with the study and acquisition of Renaissance art that they had little time for the seicento; for them, Italian genius lay in "primitive" gold-ground altarpieces and 15th and 16th century frescoes. Consequently, Guercino, like a number of his contemporaries -- Guido Reni and the Carraccis, for instance, or even Caravaggio -- was slighted. The first Guercino exhibition was not held until three centuries after his death, in his ! birthplace in central Italy, the small Emilian city of Cento, in 1967. His rediscovery was due almost entirely to the love and labors of one English art historian...

Author: /time Magazine | Title: The Vision of The Squinter | 6/29/1992 | See Source »

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