Word: guidos
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...German Chancellor Angela Merkel, the new year has gotten off to a dismal start. During the past week, several members of her party, the Christian Democratic Union (CDU), have publicly laid into her laissez-faire leadership style, claiming it has weakened the conservative party's base. And Foreign Minister Guido Westerwelle, leader of the CDU's partner in government, the Free Democratic Party (FDP), has challenged her government's stances on key foreign policy issues, namely German troop levels in Afghanistan and Turkey's long-delayed bid to join the European Union...
...requirements to safeguard the weapons. These revelations cemented the unpopularity of the agreement. Belgium's Parliament had already unanimously requested that NATO withdraw the weapons, while a 2006 poll found that almost 70% of people in the four countries want the U.S. nukes withdrawn. In October, German Foreign Minister Guido Westerwelle declared that Barack Obama's speech in Prague in April, in which the U.S. President called for countries to renew the vision of a world free of nuclear weapons, had "opened the door" to a nuke-free Europe. (See pictures of Obama's eight months of diplomacy...
Attractive notions, all. So why don't they coalesce into a fully satisfying film? In part, because they expose the show's structure as a variety program, an episodic fashion show. Each of the women in Guido's life comes on, talks about her life, performs a song, then fades into the crowd. Some of these solo spots are pretty wow-y: Cruz's writhing sensuality in "A Call from the Vatican," the surprising sass and vocal authority that Judi Dench brings to "Folies Bergere" and a nicely gaudy turn by the pop star Fergie as a zaftig whore...
Javier Bardem, the Spanish hunk who won an Oscar as the killer in No Country for Old Men, was originally to play Guido. When he dropped out, the role went to Day-Lewis, an actor nearly the opposite of Bardem. He's coiled, wary, and has a spirit that's not even slightly Mediterranean. In 8-1/2, Mastroianni was such a natural charmer - so, we have to say, Italian - that he made indolence attractive; in that film, a perpetual sexual adolescence was not a flaw but a goal (especially because women kept throwing themselves at him, and what woman...
Only Cotillard, as Guido's long-suffering wife Luisa, is in command of her character whether she's singing, speaking or just staring darts at her philandering mate. Pain rarely seemed so proud, or hurt so regal, as in Cotillard's rendition of the melancholic rhapsody "My Husband Makes Movies." There, a lovely scene when the ex-actress Luisa, while watching screen tests Guido has made for his new project, sees him lavishing exactly the same attention on a new girl that he did on her when she was just starting in pictures; the kind words and gestures she thought...