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...night last week Secretary of the Interior Harold LeClair Ickes, most vociferous U. S. critic of the U. S. press, rose to tell the New York Newspaper Guild and a radio audience what he thought of "calumnists" (columnists). He prefaced his remarks with one of his own ventures in prosody...

Author: /time Magazine | Title: The Press: Calumny | 4/24/1939 | See Source »

...Park Avenue vacant lot neatly prettied and pedestaled, Manhattan's lively Sculptors' Guild turned out to haul, hoist and hope for vernal weather. Occasion: a repeat performance this week of its smash-hit outdoor show (TIME, April...

Author: /time Magazine | Title: Art: Carvers & Casters | 4/17/1939 | See Source »

...Philadelphia Story (by Philip Barry; produced by The Theatre Guild Inc.) shows: 1) Katharine Hepburn back on Broadway after years in cinema; 2) Philip Barry back at smart comedy after his cosmic flight in Here Come the Clowns; 3) The Theatre Guild back in the money after a season of disastrous flops...

Author: /time Magazine | Title: Theatre: New Play in Manhattan: Apr. 10, 1939 | 4/10/1939 | See Source »

These papers are headaches: Milwaukee News-Sentinel, Atlanta Georgian (Sunday American), Chicago American (which lost $500,000 last year) and Herald & Examiner. Badgered by the Guild strike (which, however, appeared near settlement last week), the Herex has lost $500,000 in advertising since December. For years the Herex has been able to pay interest on its bonds only because it collects $750,000 a year rent from the American. But its Sunday edition sells 1,000,000 American Weeklies. Joe Connolly is working desperately to save Chicago for Hearst, and his success or failure may determine whether Hearst remains...

Author: /time Magazine | Title: The Press: Dusk at Santa Monica | 3/13/1939 | See Source »

Five Kings, Part I (adapted by Orson Welles from Shakespeare's King Richard II, Henry IV, Parts I & II, Henry V; produced by the Theatre Guild Inc.). When Richard Bentley, the greatest English classical scholar of his age, read Alexander Pope's famed translation of the Iliad, he remarked: "A very pretty poem, Mr. Pope, but you must not call it Homer." In Boston last week, when Orson Welles presented the first half of his much-touted, much-trimmed version of Shakespeare's chronicle plays, certain it was that-pretty or otherwise-Welles should not call...

Author: /time Magazine | Title: The Theatre: Play on the Road | 3/13/1939 | See Source »

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