Word: guildensterne
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THEATRICALLY AND intellectually, Tom Stoppard's Rosencrantz and Guildenstern Are Dead is one of the last decade's most awesome dramatic conceptions. An ingenious retelling of Hamlet from the point of view of that tragedy's two incidental victims, this piece of absurd theater involves difficult staging, acute psychological insight, and beautiful language which demands highly subtle direction and acting...
...timing and emotional control of the lead characters is excellent. Pope Brock plays an appropriately ingenuous, high-strung and thoroughly bewildered Rosencrantz to Bernie Holmberg's pompous, melodramatic, and equally bewildered Guildenstern. The most intense monologue of the play and much of its dramatic focus belong to the Head Player of the troupe performing at Elsinore, a part skillfully played by Chris Josephs. He is the most noble, though he appears the most decadent, of the major characters. The times being "wicked," he supports himself with obscene tableaux, though he is the only figure who understands and carries...
...experimental productions have not been neglected, and both the Loeb Ex and various Houses will provide a wide scope of choices for theatre-goers. Describing the Ex's first weekend as "an amusing 'Waiting for Godot'," director Arthur Lasky '72 goes on to clarify his production of "Rosencrantz and Guildenstern are Dead." Written by Tom Stoppard, it is a version of "Hamlet" seen from the perspective of two characters on the periphery of the action, "which gives the whole thing a sense of existential displacement." The following weekend, Arthur Fainsod '73 will be directing Ionesco's "Victims of Duty...
...authority from marking his mind before it can grow an adequate protective shell, he does it without the self-pity that might be expected of a young writer. His Raul is induced to return to school temporarily, where he performs brilliantly as Rosencrantz in a production of Rosencrantz and Guildenstern Are Dead. Rosencrantz is more or less his role in life at the moment...
Escape literature is the term generally used to designate a chickenhearted conspiracy of writers and readers who do not want to face up to real life. But as Playwright Tom Stoppard noted in his existential comedy Rosencrantz and Guildenstern Are Dead, an exit is always an entrance some place else. One of the most original, whimsical escape artists in contemporary American writing is Richard Brautigan, who is definitely some place else...