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Word: guildensterne (lookup in dictionary) (lookup stats)
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...Hamlet excerpt--one of the many tragicomic scenes from that play--was also marked by this problem: Hamlet's comic interaction with Rosencrantz and Guildenstern was much damaged by high speed and a poor sense of timing on the part of all three actors. But David W. Egan '00, the scene's Hamlet, was satisfyingly antic throughout, and gave a solid performance of the scene's classic long speeches--speeches which include such lines as "What a piece of work is a man" and "O God! I could be bounded in a nutshell, and count myself a king of infinite...

Author: By Susannah R. Mandel, | Title: Wood Offers Brash Showing Of Verse on Bard's Birthday | 4/29/1997 | See Source »

...smaller roles are all well-played: of special note is Seph McNamara's Horatio, stalwart and strong, and Kirk Hanson's Guildenstern, a truly insufferable twit...

Author: By Emily J. Wood, | Title: Hamlet Bound in The Winthrop JCR Nutshell | 11/16/1995 | See Source »

Were it not so faithful to its own artistic designs, you might suppose Tom Stoppard had written Arcadia expressly to refute his critics. Though having led something of a charmed professional life (he has been internationally acclaimed since his first produced play, Rosencrantz and Guildenstern Are Dead, in 1967), the Czechoslovak-born playwright has not been spared his detractors, particularly in his adopted England...

Author: /time Magazine | Title: A HOUSE OF GAMES | 4/10/1995 | See Source »

Gary Oldman, who hasn't had a decent movie role since he played Rosencrantz (or was it Guildenstern?), seems suited to the role of Beethoven. The actor embodies the right combination of anger and sensuality, but he's no match for the movie's ludicrous plot and bad dialogue. The film never permits him to excercise the wonderful sense of irony that underlies his best performances. The reptilian Oldman is forced to sit around in a bad wig reminiscent of the worst excesses of J.J. Jimmy Walker. Mostly, he purses his lips and sulks...

Author: By Daley C. Haggar, | Title: 'Immortal Beloved' Eternally Tedious | 1/13/1995 | See Source »

...also a moment in which an artistic credo seems to be lurking, one that, with Stoppardian paradox, might be rendered as: Who sees littlest sees furthest. Ever since he became internationally famous while still in his 20s for his philosophical farce Rosencrantz and Guildenstern Are Dead (1966), Stoppard has been accused of excessive cleverness -- of having a big mind but a small heart. At bottom Hapgood insists that this division is artificial. As Kerner says, "Every atom is a cathedral...

Author: /time Magazine | Title: THEATER: Every Atom Is a Cathedral | 12/19/1994 | See Source »

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