Word: guilds
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Dates: during 1960-1969
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...resumption of publication by the dailies which have not been struck, should have been taken long ago. The publishers' slogan, "a strike against one is a strike against all," is self-destructive; the "all for one" policy, in any event, is spottily enforced. Earlier this fall, when the Newspaper Guild struck the Daily News for eight days, none of the other papers closed down. Also, and more importantly, the publishers ignored their responsibility to the public when they chose to complete the press blackout. With three newspapers the city could at least keep an eye on its own government...
...international union; there is nothing wrong with that, of course, but it is no excuse for prolonging a strike. Local Six, for its part, wants to regain its position as top banana among newspaper unions. The I.T.U.'s former position of leadership is now occupied by the Newspaper Guild, and one way to regain that leadership, Powers reasons, is to win a sensational and unpopular strike...
...fact that the strike is, in some measure, a power play by Powers and Local Six has understandably aggravated the other unions, especially the Newspaper Guild. The I.T.U., like the publishers, has the wherewithal to last out a long strike. The Guild does not. On Monday, the Guild was forced to take the drastic step of mortgaging its headquarters to meet its obligations to its members. At the meeting where the decision was made, Guildsmen loudly booed the name of Bertram Powers...
Severe Handicap. But if the strike was a bore, it was also a painfully expensive one. The American Newspaper Guild ran out of money and had to borrow $300,000 from the A.F.L.-C.I.O. New York Local 6 of the International Typographical Union slapped a $3 weekly assessment on all 6,000 of its working members-those employed by commercial print shops and therefore unaffected by the strike. New York Newspaper Printing Pressmen Local 2 hopefully brought suit against the New York Post, the Herald Tribune and the Mirror, asking $72,000 in lost pay and other benefits. Since these...
...clear that the dancers were ready for Washington, but was Washington ready for the dancers? The city already had an amateur company,* and the issue of whether professionals were needed or wanted had boiled for months in the Washington Ballet Guild. Finally, Franklin and Guild Founder Mrs. Richard J. Riddell withdrew from the Guild to start their own group in July 1961. Encouraged by the support of Dance Master George Balanchine (who charged Franklin with carrying on in Washington "what I started in New York") and Mrs. Riddell's money (she blessed the first season with nearly...