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Donald K. Baillargeon of the Screen Actors' Guild, which represents 1,300 thespians in Boston, points to the city's unique terrain...

Author: By Jacqueline A. Newmyer, CRIMSON STAFF WRITER | Title: Hollywood Comes to the Hub | 9/23/1998 | See Source »

...civil rights activities, which your writer reduced to a bare minimum. I played an important role in Martin Luther King Jr.'s 1963 March on Washington as the leader and chief organizer of the scores of actors who attended. Some months earlier, as president of the Screen Actors Guild, at Dr. King's request, I persuaded the leadership of one of the technical unions (IATSE) to meet with him, after explaining that IATSE not only barred blacks from membership but also accepted only the sons of its members into the union. I merely knocked on the door. Dr. King persuaded...

Author: /time Magazine | Title: Letters: Jul. 27, 1998 | 7/27/1998 | See Source »

...civil rights, Heston agreed to stop by Oklahoma City and picket several whites-only restaurants for a brief photo opportunity. In his 1995 autobiography, In the Arena, he explains, "It was also part of my expanded persona, riding the tiger." Two years later, as president of the Screen Actors Guild, Heston was among a score of actors who attended Martin Luther King Jr.'s March on Washington. "Our job was to get as much ink and TV time as possible," he recalls. Now, 35 years later, although his civil rights activism consists of only two appearances, he tells audiences...

Author: /time Magazine | Title: Have Gun, Will Travel | 7/6/1998 | See Source »

Burne-Jones was an amazingly proficient craftsman, a one-man guild, fecund in painting, book design, tapestry, embroidery, stained glass, tiles, mosaic. He had little formal art training and always felt insecure about his figure drawing. What fired him as an artist was his early, deep and long-lasting friendship with William Morris, whom he met at Oxford in the 1850s, when both were new undergraduates. They had meant to go into the Anglican Church, but in 1855 they resolved to dedicate their lives to art and design...

Author: /time Magazine | Title: Art: An Escapist's Dreamworld | 6/15/1998 | See Source »

...announcement that Rodgers and Hammerstein were to collaborate on Oklahoma!--the Theatre Guild production based on Lynn Riggs' novel Green Grow the Lilacs--was initially greeted with skepticism. The financial backing for Away We Go! (as the show was then called) proved very difficult to raise. MGM, which owned the dramatic rights, refused to make a $69,000 investment for half the profits. The word on the tryout in New Haven, Conn., was awful. One of Walter Winchell's informants wired the columnist: "No girls, no legs, no jokes, no chance...

Author: /time Magazine | Title: RODGERS & HAMMERSTEIN :The Showmen | 6/8/1998 | See Source »

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