Word: guilt
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Dates: during 1960-1969
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...GLASS BOOTH is a dramatic offspring of the Adolf Eichmann trial, reviving the stale questions of German guilt, Jewish passivity, and the paranoid personality of the archkiller. The play's best excuse for being is a performance of atomic power and blinding virtuosity by Donald Pleasence. He is like a neurotic blood relative whom one cannot abide or yet disown. He is as hallucinatorily real as a dream from which one cannot awaken...
...anti-Humphrey liberals, the war is the most passionate rallying cry, but not the only one. Having received the nomination on the strength of the urban machines and the big wheels of organized labor, Humphrey suffers from guilt by association. Martin Stone, a McCarthy leader in California, says of Humphrey's future: "He's finished. Nothing is going to change that. The old buffaloes are on their last legs." California's former Governor Pat Brown, an orthodox liberal of the Humphrey stripe, laments: "It's a bad day for guys like me who have worked...
...Share the guilt" seems to be the theatrical slogan of the hour. The Man in the Glass Booth asks playgoers to share guilt for the massacre of the Jews. The Great White Hope asks playgoers to share guilt for the oppression of the Negro. Both are dramas of contrition with little internal life; they would scarcely stir, except for the borrowed adrenaline of newspaper headlines, past history, and the emotional sympathies of the already converted. For the price of a mea culpa, the audience is made to feel good by feeling...
...Nothing Gets Me Down, is going from resentment to resistance. The book is an attempt to put a little chest hair on that artificial category of literature known as "young-adult novels." Hentoff injects such themes as Viet Nam, racism, generation gap, civil rights, drugs, black rage, white guilt and, for old times' sake, a touch of antiSemitism. Sex is still a nono, although the vocabulary is raunched up with such words as "bastard," "damn it," and "hard...
...uphold such imperfect payments and restraints as the law allows. In the process of tracing out the perplexities of just one claim, British Suspense Novelist Lionel Davidson (The Rose of Tibet, The Menorah Men) has created an odd, quiet novel that contemplates the limits of private responsibility and public guilt...