Word: guilts
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Dates: during 1950-1959
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...York theatre crowd was jolted out of its sophistication. Milling at the intermission, filing through doors, Manhattan secretaries with their tweedy, nebulous fiances, asthmatic maiden aunts from New York, students and old gentlemen and matron dowagers were discussing innocence and evil and faith and love and what is guilt with a passion admirable in a college freshman...
...removal of the lower dimension--of death, guilt, emptiness, loneliness--is in the long run impossible, he argued. Existentialism was cited as an attempt to break through the "walls of finitude," and Tillich praised the "honesty" and "courage" of the movement...
...political and social realms, man was reduced to a "working power," and rediscovered as the self in "anxiety, guilt, and despair," Tillich said. One outgrowth of this rediscovery was expressionist art, which "showed the world in its demonic character...
...nears. But, in Behan's play, as atmospheric pressure mounts, the need for outlets intensifies. Voices are raised, and fists; a half-brutal, half-compulsive humor dominates; the hangman gets drunk; officials get edgy; one warder carries out his job, but in a cold sweat of horror and guilt...
...Maigret mutters grimly as the murderer's score mounts. When the tiger has made his fourth kill, Maigret sets a trap. He invents a suspect, credits him with the crimes, counts on the killer (whose vanity has been demonstrated in his challenge to the police) to protest his guilt by attempting a fresh murder-which 500 plainclothesmen stand ready to prevent. The trap springs, but the tiger escapes, and Maigret is forced to track him through some pretty tortuous back alleys of psychology-the sort of area a camera can easily get lost in. But Director Jean Delannoy knows...