Word: guilts
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Dates: during 2000-2009
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Looking over the pictures of Jackie dodging, ducking, literally running from Galella, you feel a twinge of guilt about all this, the way pictures of a slaughterhouse get you to entertain thoughts of vegetarianism. The death of Princess Diana also made paparazzi a dirty word for a while. The profession has recovered, but Galella thinks that the golden age of the paparazzi is behind us. In terms of sheer numbers, the breed has multiplied tenfold since Galella started in the mid-1960s. But the stars and their handlers have fought back, punishing publications that run unflattering pictures by denying them...
...Further violence unfolds with a detached, unsettling inevitability, and by the time Kazuki kills Hidetomo, you're almost relieved. After the murder, he descends into a surreal, Oedipal nightmare of guilt and paranoia, eerily coming to resemble his dead father as he struggles to run the household and the pachinko business. Kazuki is so frazzled he can't even get around to disposing of the corpse; as his mind begins to unravel, he desperately concludes more killing may be necessary to conceal the dead body rotting in a vault filled with gold...
...illusions that all witnesses who get close enough to the 'romance' of war inevitably confront." In 1946, after more than a decade of front-line reporting, says Kershaw, "Capa had started to exhibit many of the symptoms of post-traumatic stress disorder: restlessness, heavy drinking, irritability, depression, survivor's guilt, lack of direction and barely concealed nihilism." He fulfilled a dream in 1947, though, by setting up the Magnum photo cooperative, named after the large champagne bottle. Capa next traveled to the Soviet Union, but the cold war did not suit his talents. Grazed - and badly shaken - by a bullet...
...It’s not oriented towards defining guilt or innocence; it’s about finding a solution,” he said...
...Cohen), he borrows Hitchcock's Catholic belief that we are not all criminals, but we are all guilty; our humanity is our original sin. Anderton--on the run for a murder he hasn't thought of committing of a man he doesn't know--is oppressed by guilt because his young son was kidnapped while they were at a public swimming pool. Indeed, water, as both symbol and character, is everywhere in this film: in its Christian sense of baptism and absolution, in its dramatic function as either a hiding place (that terrific bathtub rendezvous with the cyberspiders...