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Word: guilts (lookup in dictionary) (lookup stats)
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...third difficulty is that the reparations argument means asking somebody to accept responsibility and blame, and guilt is not a very powerful political policy," Appiah added...

Author: By Sasha A. Haines-stiles, CRIMSON STAFF WRITER | Title: Harvard Scholars Join Debate About Slavery Reparations | 3/1/2000 | See Source »

...reparations like this are caused by guilt, I don't think they should be given," she said. "But if it's a historical movement, saying that we're recognizing history, we're recognizing that less than three generations ago our grandparents and relatives were slaves, and we recognize that this was a horrible offense, then reparations are called...

Author: By Sasha A. Haines-stiles, CRIMSON STAFF WRITER | Title: Harvard Scholars Join Debate About Slavery Reparations | 3/1/2000 | See Source »

...mere show. In his day, he told TIME, 80% of the matches were fixed, with winner and loser worked out beforehand in the dressing rooms. "Match fixing was kind of matter-of-fact among the wrestlers," says Itai, a jocular, baby-faced giant. "None of us felt any guilt...

Author: /time Magazine | Title: Fatties In a Fix | 2/28/2000 | See Source »

...Vagina. There I've said it. I am saying it to celebrate my womanhood because what you don't say becomes a secret which shame, guilt and embarrassment surround." So opens Eve Ensler's dynamic and candid play The Vagina Monologues, now showing at the Agassiz Theater. In its original form, Ensler's singular work was made to lead the audience towards a celebration of the "sustenance, humor and creativity" that encompass the woman's discovery of self. Indeed, her avowed purpose in writing the piece was to communicate the abuse of the vagina to the general public...

Author: By Kelley E. Morrell, CONTRIBUTING WRITER | Title: Gender Roles and Power Plays in the Ag | 2/18/2000 | See Source »

...Egoyan released his first feature film, Next of Kin, which received funding from both the Canada Council and the Ontario Arts Council. The complex story deals with a disillusioned young man who, while undergoing video therapy with his parents, sees a tape of an Armenian family wracked with guilt over giving up their son to a foster home years ago. The protagonist, Peter, craves a new role in life, so he presents himself to the family as their long-lost son, an act that leads to dark visions concerning cultural displacement and the line between role-playing and reality...

Author: By William Gienapp, CRIMSON STAFF WRITER | Title: Independent Means | 2/18/2000 | See Source »

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