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...Reflect on the Holocaust delivers what its title promises, but not necessarily what the visitor expects. All thirty-one artists involved were born after World War II. Although there are some direct responses to the Holocaust itself, many of the works displayed are responses to response, depictions of secondhand guilt. Several of the artists are groping in the dark, trying to understand stories which were never spoken, and history which was never quite revealed to them. In their art, they try to grasp the meaning of elusion. Why should it be so difficult to recall the Holocaust...

Author: By Natasha Wimmer, | Title: ICA Holocaust Show Leaves Viewer Cold | 2/9/1995 | See Source »

...Holocaust through through this exhibition? The artists expect a lot of themselves, but so do the observers. There is a self-induced pressure to understand, not just mentally, but viscerally, the horror of mass death. Burnt Whole fails to produce the necessary gut reaction, leaving the viewer confused, between guilt and disappointment...

Author: By Natasha Wimmer, | Title: ICA Holocaust Show Leaves Viewer Cold | 2/9/1995 | See Source »

...exception is Dagmar Demming's Supplies for Obsessive-Compulsive Disorder (1994). Demming installs a series of ordinary soap dishes throughout the exhibition space, each holding a bar of fossilized soap. According to the program, "They symbolize the constant need to cleanse away guilt," At the same time, they inevitably suggest the bars of soap handed to the prisoners of Auschwitz as they were herded into the gas chamber "showers." It is unnecessary to analyze Demming's installment in order to feel its effect...

Author: By Natasha Wimmer, | Title: ICA Holocaust Show Leaves Viewer Cold | 2/9/1995 | See Source »

People suffering from unipolar depression mayexperience symptoms such as feelings of sadness,irritability or guilt for no apparent reason;changes in weight and sleep patterns; and aninability to concentrate or make decisions(please see graphic above...

Author: By Lana Israel, | Title: Students Confront Clinical Despair | 2/8/1995 | See Source »

...Croce, her essay is nothing if not a declaration of independence from victim art. Some of her supporters have pointed out that feelings of pity or guilt can be used by artists as a bribe, just as an unearned emotion of political solidarity was often used in the 1930s. But novelist Reynolds Price, who has survived spinal cancer and last year published an acclaimed memoir about his experience (A Whole New Life), wonders if Still/Here represents a new body of art that will be increasingly hard to ignore. "There are a tremendous number of people who survive in ways that...

Author: /time Magazine | Title: PUSH COMES TO SHOVE | 2/6/1995 | See Source »

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