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...About 30 percent of suspects are excluded [from guilt] by DNA testing," says David H. Kaye, Regents professor at Arizona State University. "DNA profiling has resulted in many cases being resolved that would have gone unsolved...

Author: By Kris J. Thiessen, | Title: Fingering Statistics On O.J.'s DNA | 10/25/1994 | See Source »

...testing alone is not meant to resolve innocence or guilt," Stolorow says. "It is the litigants job to prove that to a judge and jury...

Author: By Kris J. Thiessen, | Title: Fingering Statistics On O.J.'s DNA | 10/25/1994 | See Source »

Kenzaburo Oe was a child of 10 when World War II ended; occupying foreigners, ruins, humiliations and guilt filled the Japanese landscape of his adolescence. His early fiction and essays were unusually intense by Japanese standards, tinged with pessimism and despair. After 1963, when his first son was born brain damaged, Oe's work became even more personal; a helpless or deformed child figure recurs, suggesting both implacable fate and the possibility of redemption. Compared with the four previous laureates -- Octavio Paz, Nadine Gordimer, Derek Walcott and Toni Morrison -- Oe is little known but, thanks to the Swedish Academy...

Author: /time Magazine | Title: Bittersweet Honors | 10/24/1994 | See Source »

Probably because it's been postmodernized. Previously Terry (Annette Bening in the new version) was a virgin, perkily defending that status while the threat to her innocence, Mike the Playboy (Warren Beatty), was shadowed by Catholic guilt about his careless ways. (Remember those poignant visits to his wise old auntie's chapel?) These scruples served two functions: they heated up forbidden desires, and they gave a certain bent logic to the three-month hiatus the couple imposed on their affair, ostensibly to shed other commitments, really for the chaste contemplation of this one's radical implications...

Author: /time Magazine | Title: CINEMA: Oh, Forget It | 10/24/1994 | See Source »

...Beatty (who produced the film and co-wrote it with Robert Towne) was drawn to this story; for a famous womanizer, it must have emotionally autobiographical elements. But he also recognized that maidenly virtue and religiously inspired guilt are tough sells these days. Under Glenn Gordon Caron's uninflected direction, there are no chapels (though a distressingly feeble Katharine Hepburn appears as the aunt), the couple consummates quickly, and the 90-day wait for their famous date atop the Empire State Building is motivated by no more than a postcoital fear of rushing into something. Not much suspense in that...

Author: /time Magazine | Title: CINEMA: Oh, Forget It | 10/24/1994 | See Source »

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