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...musical loves, Western rock and third-world rhythms. Takamba (a word the Tuareg tribe use to describe a camel's gait) splices hypnotic African grooves with crashing drums. He can even inject a dose of politics: Freedom Fries, a cutting attack on the Bush presidency, welds an offbeat guitar lick to the furious pounding of a Moroccan bendir drum. But call it world music at your peril; Mighty Rearranger is a million miles away from Paul Simon's reverential take on African sounds. "The whole coffee-table aspect of listening to world music is bulls__t," the singer says with...

Author: /time Magazine | Title: The Secret Life of Plant | 5/4/2005 | See Source »

...when the main act made it onstage, they revealed the surprisingly simple equation behind their recordings: a chilled-out folkie and a Dutch chamber musician, jamming like nobody’s business. There was Zammuto, a Williams College alum, half-closing his eyes to commune with an acoustic guitar. To his right sat de Jong, accented and eccentric, tearing mean riffs with his bow. At far left, frequent Book collaborator Ann Doerner offered tense keys and ethereal vocal harmonies (including a haunting Creole folk solo...

Author: By Nathaniel Naddaff-hafrey and Simon W. Vozick-levinson, CRIMSON STAFF WRITERS | Title: Indie Explosion Lights Up MFA | 5/4/2005 | See Source »

Molina’s songs aren’t technical masterpieces; they often consist of only three or four chords. Their beauty is simple, residing in the ethereal swoop of the slide guitar and the relentless emotional onslaught of the rhythm section. Listening to them is like riding a freight train with no brakes: there is a sense of unimpeachable momentum and force. When their songs demand it, each and every musician in Molina’s circle is more than able to play eloquent phrases...

Author: By Nathaniel Naddaff-hafrey and Simon W. Vozick-levinson, CRIMSON STAFF WRITERS | Title: Indie Explosion Lights Up MFA | 5/4/2005 | See Source »

...wonderfully wounded love song, and the title track gets at the moral drama of war without being overwrought. With the E Street Band on hiatus, Springsteen plays a majority of the instruments himself, and producer Brendan O'Brien highlights the intimacy by granting most songs a verse of acoustic guitar before carefully adding keyboards, fiddle, feathery drums and occasional background vocals. (For those curious about what the songs sound like without production, Devils is in the new DualDisc format: flip it over, and there's a DVD of Springsteen playing alone...

Author: /time Magazine | Title: Music: The New Ghost of Tom Joad | 4/24/2005 | See Source »

...unlikely that Devils & Dust will be anyone's favorite Springsteen record, but even the weaker songs reveal things about their creator. It isn't just that the man can play his guitar but that he changes his voice and pronunciation subtly on each song to sound more like the character he's singing about. The Boss cares about these people--maybe too much. But better a bleeding heart than none at all. --By Josh Tyrangiel

Author: /time Magazine | Title: Music: The New Ghost of Tom Joad | 4/24/2005 | See Source »

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