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...album, Sea Change, which was full of the kind of beautiful breakup melodies and brutal words normally associated with Gordon Lightfoot and Sylvia Plath. Beck promises a touch of sincerity but adds, "There's definitely a lot more jokes and kicking cardboard boxes and rattling chains and playing slide guitar. This album is full of raggediness." Contributing to the raggediness are song titles like Guero, E-Pro and Brazilica, as well as a guest appearance by Jack White of the White Stripes. Beck appeared in a White Stripes video last year, and White asked if he could return the favor...

Author: /time Magazine | Title: Music: Beck: You'll Never Guess What He's Up to This Time | 10/11/2004 | See Source »

...three of the band’s current four members turned to music and formed the band that is finally gaining the recognition they deserve. At less than 33 minutes long, the CD might just be too short to contain all the rock. Characterized by driving distorted guitar riffs, howling vocals and the old-school background subtleties of the electric organ, the Features cast themselves into the ranks of the Strokes and Jet. Highlights include the disc’s fourth track, “Blow Out,” that opens with a Weezer-esque upbeat chord progression beneath...

Author: NO WRITER ATTRIBUTED | Title: New Music | 10/8/2004 | See Source »

...solidified, tighter and bolder now after long months playing together on tour. Drummer Sam Fogarino and bassist Carlos D lock into a groove right away and stretch it out easily for the course of a song. The often danceable bass lines add satisfying counterpoint to the darker, choppier guitar licks layered on top. Guitarists Daniel Kessler and Paul Banks let their sound intertwine, ringing out with Clash flavor, flirting with Carlos D’s tasteful keyboard additions (he plays keyboard too) and pushing against each other, always rooted by the bass...

Author: NO WRITER ATTRIBUTED | Title: New Music | 10/8/2004 | See Source »

...song “Narc” demonstrates the effectiveness of this layering technique: Beginning only with an angular guitar line, the song jumps to life with the sudden arrival of a surging bass line and steady backbeat. Interpol has a new swagger, is more direct and present. Banks’ familiar drone, tired but on pitch, remains an ideal complement for the shadowy sound his band churns out. The vocal melodies are catchy and diverse. The final product is more organic and less distant than the debut...

Author: NO WRITER ATTRIBUTED | Title: New Music | 10/8/2004 | See Source »

...definitely feel that I’m walking into something that is well over my head. Becoming a professional musician—isn’t that every musician’s dream?” Then Salviaterri looks at his guitar and smiles. “I feel if given the chance, I can get my foot in the door and get people listening...

Author: By A. HAVEN Thompson, CRIMSON STAFF WRITER | Title: The Musician | 10/7/2004 | See Source »

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