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Yesterday’s program included a conversation with two mediators, Williams Professor of Romance Languages and Literatures Doris Sommer and graduate school student Jesus Suarez, a question and answer session with the audience, and a vocal and flamenco guitar performance by Sanz...
...Please Let Me Stay A Little Longer,” which opens with a nimble acoustic guitar riff courtesy of Jamie Maclean, showcases Kirk Joseph’s sousaphone as it rebounds off the bass drum crump of Terence Higgins. The menacing muted trumpet of “John The Revelator” carves a scowling path through the refried swagger of the massed horns. The Dirty Dozen has volume to spare, and at times the real challenge of the album is how to step away from the band’s masterful all out boogie and find a more...
...stool-perched boom-box, Jason Loewenstein leered over the audience, dwarfing his bass, clearly thrilled to be back in the city where Sebadoh was based. Unable to contain his glee, he teetered back and forth swigging from his Heineken and keeping time with Barlow’s lead guitar. When he did take lead vocals, perhaps most prominently on the heart-wrenching “Got It,” he showed himself every bit the effective songwriter as Barlow...
...discussion, Stills surprised the audience by pulling out a guitar and playing two songs, a new one he did not name and his famous protest song, “Find the Cost of Freedom...
...nominations was for playing a sweet-souled retarded man in I Am Sam. But he won an Oscar this year for mobilizing an implacably vengeful rage as the father of a murdered girl in Mystic River. Before that, he turned his anger into the rancid sullenness of a tormented guitar player in Woody Allen's Sweet and Lowdown and made us sympathize with an unapologetic killer in Tim Robbins' death-row drama, Dead Man Walking. Let's call him a necessary actor. The movies always have a place for at least one causeless rebel whose choler is both enigmatic...