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...Black Body Radiator of Death” and “Disorderly Conduct” evoke images of a more technically proficient Glassjaw or Rocket From the Crypt, while “Junkie Blooze” is a tongue-in-cheek blues that features a searing guitar solo by Carter—not unlike The Jeff Beck Group’s famed guitar jam, “Rice Pudding.” The band really shines, however, on “Stars As Clocks” and “Table For Two,” two songs that exhibit...

Author: By J.k. Ames, CRIMSON STAFF WRITER | Title: Filling in The Blanks | 3/6/2003 | See Source »

...shows, we want to rock everyone in the crowd sterile,” says The Blanks’ drummer, John T. Drake ’06. “Yeah,” says Jon H. Carter ’06, who holds down lead guitar duties in the band. “That way, we don’t get anybody pregnant after our shows...

Author: By J.k. Ames, CRIMSON STAFF WRITER | Title: Filling in The Blanks | 3/6/2003 | See Source »

...intensity on-stage—part of their commitment to population control—has wowed recent crowds at the Advocate and Quincy Collective and has earned the group a loyal following in the Class of 2006. Consisting of Matt C. Boch ’06 (lead vocals, guitar), Carter (lead guitar, vocals), Drake (drums, vocals) and Long Le-Khac ’06 (bass), The Blanks play a unique brand of rock peppered with generous doses of punk, indie and blues. The band draws on its members’ diverse musical backgrounds: Drake is a professional jazz drummer, Carter...

Author: By J.k. Ames, CRIMSON STAFF WRITER | Title: Filling in The Blanks | 3/6/2003 | See Source »

CHARLIE HUNTER QUINTET. The eight-string guitar innovator form Berkeley, California brings his brand of Latin and Rock influenced jazz to Cambridge. The band does not have a keyboard or bass because Hunter lays down the bass line, comps, and solos all at once! Wednesday, March 5 at 9 p.m. The House of Blues, 96 Winthrop...

Author: NO WRITER ATTRIBUTED | Title: Listings, February 28-March 6 | 2/28/2003 | See Source »

...Drill” is one of many standouts, setting epic pizzicato strings against a swirling synth, while “Finger Paint” balances distorted guitar with warm female vocals. Thankfully, Amp rescues “Sorry” (an apology to Zion’s ex-girlfriends) from the realm of tired cliches, laying an ethereal flute and keys over violins and a crunchy boom-bip. MC Zion particularly shines on “Dune,” a haunting proclamation of socio-political apocalypse. The song’s chorus finds some hope among all the despair...

Author: NO WRITER ATTRIBUTED | Title: New Music | 2/28/2003 | See Source »

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