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...Before televangelism got so complicated--before Jim Bakker had sex with a church clerk and Jerry Falwell entered politics--there was Rex Humbard, a wide-eyed guitar-playing, TV-loving revival preacher from Little Rock, Ark. In the early '50s, the self-described "electronic evangelist," who helped eulogize fan Elvis Presley, began to develop a following with TV broadcasts that for a time reached more parts of the globe than any other religious show and claimed 20 million viewers. Among the hallmarks of his 5,400-seat, marble-and-glass Cathedral of Tomorrow, a onetime movie theater near Akron, Ohio...

Author: /time Magazine | Title: Milestones Oct. 8, 2007 | 9/27/2007 | See Source »

...Hurt portrays an abusive husband, and funny-man Vaughn is a mundane grain farmer. Like something out of an IMAX movie, the sweeping shots of natural vistas in the film are breathtaking, heightening the rawness and cruelty of nature. The beautiful images are perfectly captured by the crisp, wandering guitar chords of Eddie Vedder, who provides the majority of the film’s music. His strained voice echoes heartily around the theater as if he were the landscape itself, calling out to the characters. The temporal structure of the film adds to the narrative of the story, unveiling...

Author: By Andrew F. Nunnelly, CRIMSON STAFF WRITER | Title: Into The Wild | 9/27/2007 | See Source »

...ever-thickening layers of production, his new release, “The Shepherd’s Dog,” stands like a Hollywood blockbuster beside the backstage vaudeville of the catalogue that precedes it. Gone are the living-room fuzz and the steady solitude of a lone acoustic guitar. Gone, too, is the image of a storyteller, suspender-bound, murmuring myths on a sun-drenched porch. In some ways, to bemoan the increased polish of Iron & Wine is to lament the inevitable, as with expanding audiences comes a pull into the wiry world of the studio. Still, selfish...

Author: By Henry M. Cowles, CRIMSON STAFF WRITER | Title: Iron & Wine | 9/27/2007 | See Source »

...have the writers and Taymor injected much life into their characters. Jude loves Lucy, then gets jealous for spending too much time working in a radical students' group. Sadie, the lead singer in a band where JoJo plays guitar, gets steamed when he upstages her with a Hendrix riff. Prudence loves JoJo unrequitedly. Max is always in a snit. Often the characters aren't people at all so much as song cues ("Dear Prudence," "Hey Jude"). It's no wonder that Joe Roth, of the amusingly named Revolution Studios, got onto a tangle with Taymor by recutting the film...

Author: /time Magazine | Title: Dylan and the Beatles: Together Again! | 9/16/2007 | See Source »

...There, they're not him: the six actors who impersonate some aspect of Dylan. The young, Minnesota Bob is played by a charming black kid, Marcus Carl Franklin, who gives every indication of being a blues-guitar prodigy. A 19-year-old Dylan, spouting aphorisms at a court hearing, is London stage actor Ben Whishaw. Blanchett plays prime-time Bob, the electrified folk-rock star who's getting annoyed by fame. The '70s, counterfeit-cowboy Dylan is Richard Gere. The movie leaps further into fancy by inventing Jake Rollins (Christian Bale), the Dylan character in a Hollywoodish '60s biopic called...

Author: /time Magazine | Title: Dylan and the Beatles: Together Again! | 9/16/2007 | See Source »

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