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FRANK ZAPPA, in his tenth year as guitarist and leader of the demonic Mothers of Invention, continues to wrestle with a nagging artistic problem. Should he pattern his music to suit broad, popular musical tastes or should he ignore public sentiments and compose from the heart...

Author: By Richard H.P. Sia, | Title: Zapping Zappa | 11/14/1974 | See Source »

...perhaps not rock-and-roll at its best, the Orpheum has put together a triple bill that promises at least rock-and-roll at its loudest. Whether it be the hard-driving English blues of Foghat or the energized rock-and-roll of Montrose (led by former Edgar Winter, guitarist Ronnie Montrose), the beat is going to be laid down early in the evening and could result in a lot of sore hands. As an added attraction, ex-Procol Harum guitarist Robin Trower will be performing. Trower has been recently reported to be taking guitar lessons from none other than...

Author: By John Porter, | Title: Rock and Folk | 11/7/1974 | See Source »

...which something like a piece of broken glass is used to fret the strings to produce a strong, lowdown sound. A few decades ago it was the sound of a whole genus of American music that might be called backroads blues. Today its best exponent is Ry Cooder, a guitarist and singer of wry wit and concentrated energy who has extended the troubadour tradition of Woody Guthrie and fashioned a distinctive personality for himself from the shards of the American musical past...

Author: /time Magazine | Title: Music: The Wizard of Slide | 10/21/1974 | See Source »

...around? It's difficult to say. It was probably not due to the band's lack of talent. At the least, they handled their instruments adeptly. The arrangements, however, were noticeably inferior to those on Rock and Roll Animal, particularly "White Light/White Heat" and "Rock and Roll." The lead guitarist concentrated mostly on rhythm which left a void in many of the arrangements. Finally, the give and take between Reed and his band during the Academy of Music sessions was more pronounced--the band was given a share of the limelight during the instrumental breaks but quickly crept into...

Author: By John Porter, | Title: All That Glitters... | 10/11/1974 | See Source »

...Orchestra on jazz. Its sound has a white, diatonic, often ethereal quality that could never be confused with anything rooted in the Mississippi Delta or North Carolina backwoods. What certifies it as rock is its tight hold on the big beat. "We could jam with the Grateful Dead," says Guitarist Greg Lake of ELP, "but it would be impossible for them to jam with...

Author: /time Magazine | Title: Music: Rock Goes to College | 9/23/1974 | See Source »

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