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...come will still leave unrecorded the band of the past year. The style of music, life and business began to change as the demands of success led to increasing pressure to produce, travel, and reflect a projected image. As a result of these changes, Mr. Larry Carsman, lead guitarist and "charter member" from before the beginning, left the band. The story of the present Larry Carsman Blues Band begins with the inevitable question of why Larry left the Montgomery Band around April of 1972. The answer shows that, more accurately, the band left...

Author: By Ianet Nathan, | Title: Blues in Boston: An Interview with Larry Carsman | 11/16/1972 | See Source »

...this point," Clark said, "I freaked out, hated Harvard, and wanted to leave." I through his academic studies, however, Clark became convinced that the spiritual experience he sought did in fact exist. He explored several different life-styles, ranging from macro-biotics to commune living. He even tried out guitarist John McGlaughlin's guru, but nothing satisfied...

Author: By Dorothy A. Lindsay, | Title: Meditation on the Moon? | 11/3/1972 | See Source »

...because it masks, as well as represents, the basic puzzle of his music. The most interesting thing about Beck is that, unlike the majority of English rock musicians, he cannot be comfortably traced back to any of the traditions commonly credited with English rock. he is not a blues guitarist, at least not in the Clapton tradition...

Author: By Frederick Boyd, | Title: Fudge Meets Flash | 11/2/1972 | See Source »

...guitar solo, though, has strong Springfield influences, particularly in tone and direction of attack. "Take the Devil" is similar. A trapped wanderer song, this shares with "Witchy Woman" many of the same desert images, as well as the same sense of attack on the part of the lead guitarist, either Glenn Frey or Bernie Leadon. The slow single note solo is again reminiscent of Springfield, as well as the fuzz toned chord progression. The Indian music feel of both songs is somewhat exploitative...

Author: By Frederick Boyd, | Title: Take it Easy, But Take it From Somewhere | 10/5/1972 | See Source »

...Last week he finished supervising a two-week festival and workshop at London's arts complex on the south bank of the Thames, participating in no fewer than seven programs with astonishing versatility. One night he was conducting a chamber orchestra in Mozart, another playing jazz piano with Guitarist Barney Kessel, another accompanying Soprano Judith Raskin at the piano in Schubert lieder, another joining the Yale String Quartet in Brahms chamber music. After a brief rest, Previn will pick up his regular routine, recording, composing, appearing in TV specials, dashing off essays for Punch and conducting about 100 concerts...

Author: /time Magazine | Title: Music: Most Happy Man | 9/4/1972 | See Source »

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