Word: guitarists
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...Boston, but bad weather forced their plane from Montreal to land at Warwick, R.I. There the Rolling Stones were passing through customs when a photographer began snapping pictures. First thing you know there was some pushing, then some shoving, then some cops. When things settled down, Mick Jogger, Lead Guitarist Keith Richard and three other belligerent members of the Stones' entourage were on their way to the police station. Boston Mayor Kevin White calmed 15,000 sweltering fans who were waiting in the Boston Garden by telling them that he had telephoned a plea to the Warwick police...
...blind boy has only recently moved into the Haight-Ashbury district from a plush San Francisco suburb, where Mom smothered him with heaping portions of maternal concern. A guitarist and songwriter, he is anxious to make it on his own, maybe put together a nightclub act. Everyone is impressed with his songs and with his matter-of-fact courage about his handicap. "You're a beautiful person, inside and out," gushes the girl next door, who rapidly graduates to roommate status...
Russ Ballard is not only Argent's guitarist, he also writes nearly half the band's songs. Ballard's songs emphasize guitar as much as Argent's rely on organ and piano. "Tragedy", opens with a good soul band guitar lick, that becomes the basis of the tune. Rod Argent's role on this one is to build the total sound with his full-bodied chords, and to play a smoothly-phrased duet with Ballard during the break. The transitions between chorus bridge and break are smooth--repeated listening shows this to be one of the band's strong points...
...Miller's pioneer work in the field of white blues singing. Argent's piano playing here is strictly honky tonk: in total concept, the song faintly echoes some of Fleetwood Mac's later efforts. Ballard takes his only solo on this tune, and shows himself to be an adequate guitarist, even if he does sound like a cautious Jimmy Page...
...were more contemporary accents drowned out. The 30-year-old Guitarist John McLaughlin led his Mahavishnu Orchestra through a shattering set of jazz-rock at Carnegie Hall. Trumpeter Freddie Hubbard turned in a fiery performance as a stand-in for Miles Davis. And the "Connoisseur Concerts" that Wein booked into Carnegie Hall presented such acquired tastes as the abstract expressionism of Pianist Cecil Taylor. In all, there was enough youth and promise on stage -and in the audiences-to make the festival a meeting ground not only of the past and present, but of the past and future as well...