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...complex melodic patterns with his fingers, and anyone interested in the fingerpicking styles of Ry Cooder (who recorded Blake's "Diddie Wa Diddie") and Jorma Kaukonen can hear where it all started on these tracks. The Blake collection also benefits from better fidelity, perhaps a function of the guitarist's forceful playing style, which projects with considerably greater impact than Jefferson's. But both anthologies provide a fascinating insight into the origins of the American guitar slinger and the vast blues tradition that evolved around...

Author: /time Magazine | Title: The Men With the Blues Guitars | 10/27/2000 | See Source »

...guitarist Ian paid his dues as well, as a number of tunes had four or five separate guitar tracks. These required using an electric Fender with space echo additions to an acoustic strung up in Nashville tuning, an old trick that replaces the lower strings with high ones, producing a clear, ringing sound. Ian also outdid my studio setup of two bass amplifiers by using a total of six guitar amps, though never, I believe, simultaneously...

Author: By Ty Gibbons, CONTRIBUTING WRITER | Title: Of Hard Work, Crotch Mikes and 'Deuce Bigalow' | 10/27/2000 | See Source »

Sonny Landreth, who made his name as the guitarist for John Hiatt on the "Slow Turning" album about 10 years ago, manages to dodge both of these bullets on his second solo outing, "Levee Town," turning out a sturdy batch of bluesy "swamp pop" that's fairly dripping with riffsome virtuosity. Landreth's bailiwick is electric slide guitar, to which he brings a a killer sound and a revved-up attitude that takes the legacy of Ry Cooder and Lowell George and gooses...

Author: /time Magazine | Title: Louisiana Stories | 10/19/2000 | See Source »

...title track, which kicks off the album, sounds like greased lightning with legs; imagine a guitar equivalent of Blues Traveler harpist John Popper, and you're halfway there. But it's not mere flash; the songs hold up on their own even as they provide showcases for the guitarist's highly evolved style. The lyrics reveal Landreth's deep preoccupation with his Louisiana heritage, and most of the songs revolve around a kind of Cajun mythology, with an occasionally felicitous turn of phrase like "The U.S.S. Zydecoldsmobile"; musically, Landreth filters the zydeco and Crescent City traditions through a more modern...

Author: /time Magazine | Title: Louisiana Stories | 10/19/2000 | See Source »

DIED. BENJAMIN ORR, 53, versatile bassist in the 1980s New Wave band the Cars who shared vocals with guitarist Ric Ocasek; of pancreatic cancer; in Atlanta...

Author: /time Magazine | Title: Milestones Oct. 16, 2000 | 10/16/2000 | See Source »

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